Combining Texts

All the ideas for 'Necessary Existents', 'Theory of Science (Wissenschaftslehre, 4 vols)' and 'The Sublime and the Good'

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15 ideas

2. Reason / B. Laws of Thought / 1. Laws of Thought
The laws of thought are true, but they are not the axioms of logic [Bolzano, by George/Van Evra]
     Full Idea: Bolzano said the 'laws of thought' (identity, contradiction, excluded middle) are true, but nothing of interest follows from them. Logic obeys them, but they are not logic's first principles or axioms.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837], §3) by George / Van Evra - The Rise of Modern Logic
     A reaction: An interesting and crucial distinction. For samples of proposed axioms of logic, see Ideas 6408, 7798 and 7797.
6. Mathematics / A. Nature of Mathematics / 2. Geometry
Bolzano wanted to reduce all of geometry to arithmetic [Bolzano, by Brown,JR]
     Full Idea: Bolzano if the father of 'arithmetization', which sought to found all of analysis on the concepts of arithmetic and to eliminate geometrical notions entirely (with logicism taking it a step further, by reducing arithmetic to logic).
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by James Robert Brown - Philosophy of Mathematics Ch. 3
     A reaction: Brown's book is a defence of geometrical diagrams against Bolzano's approach. Bolzano sounds like the modern heir of Pythagoras, if he thinks that space is essentially numerical.
6. Mathematics / C. Sources of Mathematics / 2. Intuition of Mathematics
Bolzano began the elimination of intuition, by proving something which seemed obvious [Bolzano, by Dummett]
     Full Idea: Bolzano began the process of eliminating intuition from analysis, by proving something apparently obvious (that as continuous function must be zero at some point). Proof reveals on what a theorem rests, and that it is not intuition.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by Michael Dummett - Frege philosophy of mathematics Ch.6
     A reaction: Kant was the target of Bolzano's attack. Two responses might be to say that many other basic ideas are intuited but impossible to prove, or to say that proof itself depends on intuition, if you dig deep enough.
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
Philosophical proofs in mathematics establish truths, and also show their grounds [Bolzano, by Correia/Schnieder]
     Full Idea: Mathematical proofs are philosophical in method if they do not only demonstrate that a certain mathematical truth holds but if they also disclose why it holds, that is, if they uncover its grounds.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by Correia,F/Schnieder,B - Grounding: an opinionated introduction 2.3
     A reaction: I aim to defend the role of explanation in mathematics, but this says that this is only if the proofs are 'philosophical', which may be of no interest to mathematicians. Oh well, that's their loss.
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
Bolzano wanted to avoid Kantian intuitions, and prove everything that could be proved [Bolzano, by Dummett]
     Full Idea: Bolzano was determined to expel Kantian intuition from analysis, and to prove from first principles anything that could be proved, no matter how obvious it might seem when thought of in geometrical terms.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by Michael Dummett - The Philosophy of Mathematics 2.3
     A reaction: This is characteristic of the Enlightenment Project, well after the Enlightenment. It is a step towards Frege's attack on 'psychologism' in mathematics. The problem is that it led us into a spurious platonism. We live in troubled times.
19. Language / D. Propositions / 1. Propositions
Bolzano saw propositions as objective entities, existing independently of us [Bolzano, by Potter]
     Full Idea: Bolzano took the entities of which truth is predicated to be not propositions in the subjective sense but 'propositions-in-themselves' - objective entities existing independent of our apprehension.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by Michael Potter - The Rise of Analytic Philosophy 1879-1930 02 'Emp'
     A reaction: A serious mistake. Presumably the objective propositions are all true (or there would be endless infinities of them). So what is assessed in the case of error? Something other than the objective propositions! We assess these other things!
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
Propositions are abstract structures of concepts, ready for judgement or assertion [Bolzano, by Correia/Schnieder]
     Full Idea: Bolzano conceived of propositions as abstract objects which are structured compounds of concepts and potential contents of judgements and assertions.
     From: report of Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837]) by Correia,F/Schnieder,B - Grounding: an opinionated introduction 2.3
     A reaction: Personally I think of propositions as brain events, the constituents of thought about the world, but that needn't contradict the view of them as 'abstract'.
A 'proposition' is the sense of a linguistic expression, and can be true or false [Bolzano]
     Full Idea: What I mean by 'propositions' is not what the grammarians call a proposition, namely the linguistic expression, but the mere sense of this expression, is what is meant by proposition in itself or object proposition. This sense can be true or false.
     From: Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837], Pref?)
     A reaction: This seems to be the origin of what we understand by 'proposition'. The disputes are over whether such things exists, and whether they are features of minds or features of the world (resembling facts).
19. Language / D. Propositions / 3. Concrete Propositions
Propositions (such as 'that dog is barking') only exist if their items exist [Williamson]
     Full Idea: A proposition about an item exists only if that item exists... how could something be the proposition that that dog is barking in circumstances in which that dog does not exist?
     From: Timothy Williamson (Necessary Existents [2002], p.240), quoted by Trenton Merricks - Propositions
     A reaction: This is a view of propositions I can't make sense of. If I'm under an illusion that there is a dog barking nearby, when there isn't one, can I not say 'that dog is barking'? If I haven't expressed a proposition, what have I done?
19. Language / E. Analyticity / 2. Analytic Truths
The ground of a pure conceptual truth is only in other conceptual truths [Bolzano]
     Full Idea: We can find the ground of a pure conceptual truth only in other conceptual truths.
     From: Bernard Bolzano (Theory of Science (Wissenschaftslehre, 4 vols) [1837], Pref)
     A reaction: Elsewhere he insists that these grounds must be in 'truths', and not just in the attributes of the concepts of involved. This conflicts with Kit Fine's view, that the concepts themselves are the source of conceptual truth and necessity.
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
     Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement.
     From: Iris Murdoch (The Sublime and the Good [1959], p.205)
     A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time.
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
     Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine.
     From: Iris Murdoch (The Sublime and the Good [1959], p.218)
     A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
     Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental.
     From: Iris Murdoch (The Sublime and the Good [1959], p.218)
     A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'.
Art and morals are essentially the same, and are both identical with love [Murdoch]
     Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals.
     From: Iris Murdoch (The Sublime and the Good [1959], p.215)
     A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music?
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]
     Full Idea: Love is the extremely difficult realisation that something other than oneself is real.
     From: Iris Murdoch (The Sublime and the Good [1959], p.215)
     A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath.