Combining Texts

All the ideas for 'Gilles Deleuze', 'Conceptions of Consequence' and 'The Nature of Musical Expression'

unexpand these ideas     |    start again     |     specify just one area for these texts


6 ideas

1. Philosophy / H. Continental Philosophy / 1. Continental Philosophy
Deleuze relies on Spinoza (immanence), Bergson (duration), and difference (Nietzsche) [May]
     Full Idea: The three tripods on which the philosophy of Deleuze stands are immanence (Spinoza), duration (Bergson), and the affirmation of difference (Nietzsche).
     From: Todd May (Gilles Deleuze [2006], 2.12)
     A reaction: [Just to begin sketching how continental philosophy sees its tradition].
11. Knowledge Aims / A. Knowledge / 2. Understanding
Aristotle's proofs give understanding, so it can't be otherwise, so consequence is necessary [Smiley, by Rumfitt]
     Full Idea: The ingredient of necessity [in Aristotle's account of consequence] is required by his demand that proof should produce 'understanding' [episteme], coupled with his claim that understanding something involves seeing that it cannot be otherwise.
     From: report of Timothy Smiley (Conceptions of Consequence [1998], p.599) by Ian Rumfitt - The Boundary Stones of Thought 3.2
     A reaction: An intriguing reverse of the normal order. Not 'necessity in logic delivers understanding', but 'reaching understanding shows the logic was necessary'.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Romantics say music expresses ideas, or the Will, or intuitions, or feelings [Scruton]
     Full Idea: According to the Romantic theory music was an expression of something, of an idea (Hegel), of the Will (Schopenhauer), of 'intuitions' (Croce), or of feelings (Collingwood).
     From: Roger Scruton (The Nature of Musical Expression [1981], p.54)
     A reaction: Deryck Cooke was the culmination of music as expression of feeling, and Stravinsky was the greatest rebel against the whole idea of expression in music. You can set out to create interesting music which does or does not grab the emotions.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Expressing melancholy is a good thing, but arousing it is a bad thing [Scruton]
     Full Idea: To describe a piece of music as expressive of melancholy is to give a reason for listening to it; to describe it as arousing or evoking melancholy is to give a reason for avoiding it.
     From: Roger Scruton (The Nature of Musical Expression [1981], p.49)
     A reaction: Expressing sexual desire, while avoiding arousing it, is the nice challenge for a particular type of art. Would Scruton say that expressing joy is a good thing, but arousing it is bad? It is a nice observation, though.
23. Ethics / F. Existentialism / 1. Existentialism
For existentialists the present is empty without the pull of the future and weight of the past [May]
     Full Idea: For the existential view of lived time, the present would be empty if it were not for the pull of the future and the weight of the past that give it its character.
     From: Todd May (Gilles Deleuze [2006], 2.05)
     A reaction: Bergson seems to be important in developing this idea, though I suspect that Kierkegaard is a source.
24. Political Theory / D. Ideologies / 6. Liberalism / a. Liberalism basics
Liberal theory starts from the governed, not from the governor [May]
     Full Idea: For liberal theory, it is the individual to be governed, not the governor, who is the starting point.
     From: Todd May (Gilles Deleuze [2006], 4.02)
     A reaction: I'm inclined to see this as the single-handed achievement of Thomas Hobbes, who starts from the need of citizens to secure their contracts. Plato's society starts from entrepreneurs, but their need for a ruler seems a priori.