3 ideas
| 9382 | Subjects may be unaware of their epistemic 'entitlements', unlike their 'justifications' [Burge] |
| Full Idea: I call 'entitlement' (as opposed to justification) the epistemic rights or warrants that need not be understood by or even be accessible to the subject. | |
| From: Tyler Burge (Content Preservation [1993]), quoted by Paul Boghossian - Analyticity Reconsidered §III | |
| A reaction: I espouse a coherentism that has both internal and external components, and is mediated socially. In Burge's sense, animals will sometimes have 'entitlement'. I prefer, though, not to call this 'knowledge'. 'Entitled true belief' is good. |
| 8119 | Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy] |
| Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present). | |
| From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked. |
| 19414 | Men are related to animals, which are related to plants, then to fossils, and then to the apparently inert [Leibniz] |
| Full Idea: Men are related to animals, these to plants, and the latter directly to fossils which will be linked in their turn to bodies which the senses and the imagination represent to us as perfectly dead and formless. | |
| From: Gottfried Leibniz (Letters to Varignon [1702], 1702) | |
| A reaction: Leibniz would be a bit surprised to find the way in which this has turned out to be largely true, since he is basing it on his picture of a hierarchy of monads. Nevertheless, the idea that we are all related wasn't invented in 1859. |