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9382
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Subjects may be unaware of their epistemic 'entitlements', unlike their 'justifications' [Burge]
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Full Idea:
I call 'entitlement' (as opposed to justification) the epistemic rights or warrants that need not be understood by or even be accessible to the subject.
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From:
Tyler Burge (Content Preservation [1993]), quoted by Paul Boghossian - Analyticity Reconsidered §III
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A reaction:
I espouse a coherentism that has both internal and external components, and is mediated socially. In Burge's sense, animals will sometimes have 'entitlement'. I prefer, though, not to call this 'knowledge'. 'Entitled true belief' is good.
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20420
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The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
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Full Idea:
The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
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From:
R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
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A reaction:
It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
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20421
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Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
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Full Idea:
For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
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From:
report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
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A reaction:
This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
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16745
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No one even knows the nature and properties of a fly - why it has that colour, or so many feet [Bacon,R]
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Full Idea:
No one is so wise regarding the natural world as to know with certainty all the truths that concern the nature and properties of a single fly, or to know the proper causes of its color and why it has so many feet, neither more nor less.
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From:
Roger Bacon (Opus Maius (major works) [1254], I.10), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 23.6
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A reaction:
Pasnau quotes this in the context of 'occult' qualities. It is scientific essentialism, because Bacon clearly takes it that the explanation of these things would be found within the essence of the fly, if we could only get at it.
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