15 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 9312 | Consciousness is reductively explained either by how it represents, or how it is represented [Kriegel/Williford] |
| Full Idea: The two main competitors for reductive theories of consciousness are the representational theory (conscious if it represents in the right way), and higher-order monitoring (conscious if it is represented in the right way). | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], Intro) | |
| A reaction: Presumably there are also neuroscientists hunting for physical functions which might generate consciousness. The two mentioned here are rivals at one level of discourse. Both views may be simplistic, if complex teams of activities are involved. |
| 9313 | Experiences can be represented consciously or unconsciously, so representation won't explain consciousness [Kriegel/Williford] |
| Full Idea: On the assumption that any environmental feature can be represented either consciously or unconsciously, it is unclear how the mere representation of such a feature can render the representing state conscious. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: The authors are rejecting simple representation as the key, in favour of a distinctive sort of self-representation. I'm inclined to think that consciousness results from multiple co-ordinated layers of representation etc., which has no simple account. |
| 9315 | Red tomato experiences are conscious if the state represents the tomato and itself [Kriegel/Williford] |
| Full Idea: The self-representational theory of consciousness says that when one has a conscious experience as of a red tomato, one is in an internal state that represents both a red tomato and itself. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: This seems to be avoiding the concept of 'higher-order', and yet that seems the only way to describe it - thought steps outside of itself, generating a level of meta-thought. I think that's the way to go. Philosophy is about-fifth level. |
| 9316 | How is self-representation possible, does it produce a regress, and is experience like that? [Kriegel/Williford] |
| Full Idea: The difficulties with a self-representational view of consciousness are how self-representation of mental states could be possible, whether it leads to an infinite regress, and whether it can capture the actual phenomenology of experience. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §3) | |
| A reaction: [compressed] All of these objections strike me as persuasive, especially the first one. I'm not sure I know what self-representation is. Mirrors externally represent, and they can't represent themselves. Two mirrors together achieve something.. |
| 9314 | Unfortunately, higher-order representations could involve error [Kriegel/Williford] |
| Full Idea: A problem for explaining consciousness by higher-order representations is that, like their first-order counterparts, they can misrepresent; there could be a subjective impression of being in a conscious state without actually being in any conscious state. | |
| From: U Kriegel / K Williford (Intro to 'Self-Representational Consciousness' [2006], §1) | |
| A reaction: It sounds plausible that this is a logical possibility, but how do you assess whether it is an actual or natural possibility? Are we saying that higher-order representations are judgments, which could be true or false? Hm. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 1497 | For Anaximenes nature is air, which takes different forms by rarefaction and condensation [Anaximenes, by Simplicius] |
| Full Idea: Unlike Anaximander, Anaximenes' underlying nature is not boundless, but specific, since he says that it is air, and claims that it is thanks to rarefaction and condensation that it manifests in different forms in different things. | |
| From: report of Anaximenes (fragments/reports [c.546 BCE], A5) by Simplicius - On Aristotle's 'Physics' 9.24.26- |