16 ideas
| 15647 | Truth definitions don't produce a good theory, because they go beyond your current language [Halbach] |
| Full Idea: It is far from clear that a definition of truth can lead to a philosophically satisfactory theory of truth. Tarski's theorem on the undefinability of the truth predicate needs resources beyond those of the language for which it is being defined. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1) | |
| A reaction: The idea is that you need a 'metalanguage' for the definition. If I say 'p' is a true sentence in language 'L', I am not making that observation from within language L. The dream is a theory confined to the object language. |
| 15649 | In semantic theories of truth, the predicate is in an object-language, and the definition in a metalanguage [Halbach] |
| Full Idea: In semantic theories of truth (Tarski or Kripke), a truth predicate is defined for an object-language. This definition is carried out in a metalanguage, which is typically taken to include set theory or another strong theory or expressive language. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1) | |
| A reaction: Presumably the metalanguage includes set theory because that connects it with mathematics, and enables it to be formally rigorous. Tarski showed, in his undefinability theorem, that the meta-language must have increased resources. |
| 15655 | Should axiomatic truth be 'conservative' - not proving anything apart from implications of the axioms? [Halbach] |
| Full Idea: If truth is not explanatory, truth axioms should not allow proof of new theorems not involving the truth predicate. It is hence said that axiomatic truth should be 'conservative' - not implying further sentences beyond what the axioms can prove. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1.3) | |
| A reaction: [compressed] |
| 15654 | If truth is defined it can be eliminated, whereas axiomatic truth has various commitments [Halbach] |
| Full Idea: If truth can be explicitly defined, it can be eliminated, whereas an axiomatized notion of truth may bring all kinds of commitments. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1.3) | |
| A reaction: The general principle that anything which can be defined can be eliminated (in an abstract theory, presumably, not in nature!) raises interesting questions about how many true theories there are which are all equivalent to one another. |
| 15650 | Axiomatic theories of truth need a weak logical framework, and not a strong metatheory [Halbach] |
| Full Idea: Axiomatic theories of truth can be presented within very weak logical frameworks which require very few resources, and avoid the need for a strong metalanguage and metatheory. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1) |
| 15648 | Instead of a truth definition, add a primitive truth predicate, and axioms for how it works [Halbach] |
| Full Idea: The axiomatic approach does not presuppose that truth can be defined. Instead, a formal language is expanded by a new primitive predicate of truth, and axioms for that predicate are then laid down. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1) | |
| A reaction: Idea 15647 explains why Halbach thinks the definition route is no good. |
| 15656 | Deflationists say truth merely serves to express infinite conjunctions [Halbach] |
| Full Idea: According to many deflationists, truth serves merely the purpose of expressing infinite conjunctions. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1.3) | |
| A reaction: That is, it asserts sentences that are too numerous to express individually. It also seems, on a deflationist view, to serve for anaphoric reference to sentences, such as 'what she just said is true'. |
| 15657 | To prove the consistency of set theory, we must go beyond set theory [Halbach] |
| Full Idea: The consistency of set theory cannot be established without assumptions transcending set theory. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 2.1) |
| 15652 | We can use truth instead of ontologically loaded second-order comprehension assumptions about properties [Halbach] |
| Full Idea: The reduction of 2nd-order theories (of properties or sets) to axiomatic theories of truth may be conceived as a form of reductive nominalism, replacing existence assumptions (for comprehension axioms) by ontologically innocent truth assumptions. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1.1) | |
| A reaction: I like this very much, as weeding properties out of logic (without weeding them out of the world). So-called properties in logic are too abundant, so there is a misfit with their role in science. |
| 15651 | Instead of saying x has a property, we can say a formula is true of x - as long as we have 'true' [Halbach] |
| Full Idea: Quantification over (certain) properties can be mimicked in a language with a truth predicate by quantifying over formulas. Instead of saying that Tom has the property of being a poor philosopher, we can say 'x is a poor philosopher' is true of Tom. | |
| From: Volker Halbach (Axiomatic Theories of Truth (2005 ver) [2005], 1.1) | |
| A reaction: I love this, and think it is very important. He talks of 'mimicking' properties, but I see it as philosophers mistakenly attributing properties, when actually what they were doing is asserting truths involving certain predicates. |
| 21554 | Sets always exceed terms, so all the sets must exceed all the sets [Lackey] |
| Full Idea: Cantor proved that the number of sets in a collection of terms is larger than the number of terms. Hence Cantor's Paradox says the number of sets in the collection of all sets must be larger than the number of sets in the collection of all sets. | |
| From: Douglas Lackey (Intros to Russell's 'Essays in Analysis' [1973], p.127) | |
| A reaction: The sets must count as terms in the next iteration, but that is a normal application of the Power Set axiom. |
| 21553 | It seems that the ordinal number of all the ordinals must be bigger than itself [Lackey] |
| Full Idea: The ordinal series is well-ordered and thus has an ordinal number, and a series of ordinals to a given ordinal exceeds that ordinal by 1. So the series of all ordinals has an ordinal number that exceeds its own ordinal number by 1. | |
| From: Douglas Lackey (Intros to Russell's 'Essays in Analysis' [1973], p.127) | |
| A reaction: Formulated by Burali-Forti in 1897. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |