Combining Texts

All the ideas for 'The Roots of Reference', 'The New Institutional Theory of Art' and 'fragments/reports'

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8 ideas

2. Reason / A. Nature of Reason / 9. Limits of Reason
All reasoning endlessly leads to further reasoning (Mode 12) [Agrippa, by Diog. Laertius]
     Full Idea: Twelfth mode: all reasoning leads on to further reasoning, and this process goes on forever.
     From: report of Agrippa (fragments/reports [c.60]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.10
Proofs often presuppose the thing to be proved (Mode 15) [Agrippa, by Diog. Laertius]
     Full Idea: Fifteenth mode: proofs often presuppose the thing to be proved.
     From: report of Agrippa (fragments/reports [c.60]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.10
Reasoning needs arbitrary faith in preliminary hypotheses (Mode 14) [Agrippa, by Diog. Laertius]
     Full Idea: Fourteenth mode: reasoning requires arbitrary faith in preliminary hypotheses.
     From: report of Agrippa (fragments/reports [c.60]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.10
All discussion is full of uncertainty and contradiction (Mode 11) [Agrippa, by Diog. Laertius]
     Full Idea: Eleventh mode: all topics of discussion are full of uncertainty and contradiction.
     From: report of Agrippa (fragments/reports [c.60]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.10
8. Modes of Existence / C. Powers and Dispositions / 3. Powers as Derived
Dispositions are physical states of mechanism; when known, these replace the old disposition term [Quine]
     Full Idea: Each disposition, in my view, is a physical state or mechanism. ...In some cases nowadays we understand the physical details and set them forth explicitly in terms of the arrangement and interaction of small bodies. This replaces the old disposition.
     From: Willard Quine (The Roots of Reference [1990], p.11), quoted by Stephen Mumford - Dispositions 01.3
     A reaction: A challenge to the dispositions and powers view of nature, one which rests on the 'categorical' structural properties, rather than the 'hypothetical' dispositions. But can we define a mechanism without mentioning its powers?
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
Agrippa's Trilemma: justification is infinite, or ends arbitrarily, or is circular [Agrippa, by Williams,M]
     Full Idea: Agrippa's Trilemma offers three possible outcomes for a regress of justification: the chain goes on for ever (infinite); or the chain stops at an unjustified proposition (arbitrary); or the chain eventually includes the original proposition (circular).
     From: report of Agrippa (fragments/reports [c.60], §2) by Michael Williams - Without Immediate Justification §2
     A reaction: This summarises Ideas 1911, 1913 and 1914. Agrippa's Trilemma is now a standard starting point for modern discussions of foundations. Personally I reject 2, and am torn between 1 (+ social consensus) and 3 (with a benign, coherent circle).
13. Knowledge Criteria / E. Relativism / 1. Relativism
Everything is perceived in relation to another thing (Mode 13) [Agrippa, by Diog. Laertius]
     Full Idea: Thirteenth mode: everything is always perceived in relation to something else.
     From: report of Agrippa (fragments/reports [c.60]) by Diogenes Laertius - Lives of Eminent Philosophers 09.Py.10
21. Aesthetics / B. Nature of Art / 6. Art as Institution
A work of art is an artifact created for the artworld [Dickie]
     Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public.
     From: George Dickie (The New Institutional Theory of Art [1983], p.53)
     A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much.