Combining Texts

All the ideas for 'Symposium', 'fragments/reports' and 'Aesthetics'

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13 ideas

1. Philosophy / C. History of Philosophy / 2. Ancient Philosophy / b. Pre-Socratic philosophy
Anaximander produced the first philosophy book (and maybe the first book) [Anaximander, by Bodnár]
     Full Idea: Anaximander was the first to produce a philosophical book (later conventionally titled 'On Nature'), if not the first to produce a book at all.
     From: report of Anaximander (fragments/reports [c.570 BCE]) by István Bodnár - Anaximander
     A reaction: Wow! Presumably there were Egyptian 'books', but this still sounds like a stupendous claim to fame.
2. Reason / B. Laws of Thought / 2. Sufficient Reason
The earth is stationary, because it is in the centre, and has no more reason to move one way than another [Anaximander, by Aristotle]
     Full Idea: Something which is established in the centre and has equality in relation to the extremes has no more reason to move up than it has down or to the sides (so the earth is stationary)
     From: report of Anaximander (fragments/reports [c.570 BCE], A26) by Aristotle - On the Heavens 295b11
7. Existence / A. Nature of Existence / 1. Nature of Existence
Anaximander saw the contradiction in the world - that its own qualities destroy it [Anaximander, by Nietzsche]
     Full Idea: Anaximander discovers the contradictory character of our world: it perishes from its own qualities.
     From: report of Anaximander (fragments/reports [c.570 BCE]) by Friedrich Nietzsche - Unpublished Notebooks 1872-74 19 [239]
     A reaction: A lovely gloss on Anaximander, though I am not sure that I understand what Nietzsche means.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.
22. Metaethics / B. Value / 2. Values / h. Fine deeds
Niceratus learnt the whole of Homer by heart, as a guide to goodness [Xenophon]
     Full Idea: Niceratus said that his father, because he was concerned to make him a good man, made him learn the whole works of Homer, and he could still repeat by heart the entire 'Iliad' and 'Odyssey'.
     From: Xenophon (Symposium [c.391 BCE], 3.5)
     A reaction: This clearly shows the status which Homer had in the teaching of morality in the time of Socrates, and it is precisely this acceptance of authority which he was challenging, in his attempts to analyse the true basis of virtue
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / d. The unlimited
Anaximander introduced the idea that the first principle and element of things was the Boundless [Anaximander, by Simplicius]
     Full Idea: Anaximander said that the first principle and element of existing things was the boundless; it was he who originally introduced this name for the first principle.
     From: report of Anaximander (fragments/reports [c.570 BCE], A09) by Simplicius - On Aristotle's 'Physics' 9.24.14-
     A reaction: Simplicius is quoting Theophrastus
The essential nature, whatever it is, of the non-limited is everlasting and ageless [Anaximander]
     Full Idea: The essential nature, whatever it is, of the non-limited is everlasting and ageless.
     From: Anaximander (fragments/reports [c.570 BCE], B2), quoted by (who?) - where?
The Boundless cannot exist on its own, and must have something contrary to it [Aristotle on Anaximander]
     Full Idea: Those thinkers are in error who postulate ...a single matter, for this cannot exist without some 'perceptible contrariety': this Boundless, which they identify with the 'original real', must be either light or heavy, either hot or cold.
     From: comment on Anaximander (fragments/reports [c.570 BCE]) by Aristotle - Coming-to-be and Passing-away (Gen/Corr) 329a10
     A reaction: A dubious objection, I would say. If there has to be a contrasting cold thing to any hot thing, what happens when the cold thing is removed?
Things begin and end in the Unlimited, and are balanced over time according to justice [Anaximander]
     Full Idea: The non-limited is the original material of existing things; their source is also that to which they return after destruction, according to necessity; they give justice and make reparation to each other for injustice, according to the arrangement of Time.
     From: Anaximander (fragments/reports [c.570 BCE], B1), quoted by Simplicius - On Aristotle's 'Physics' 24.13-
     A reaction: Simplicius is quoting Theophrastus
27. Natural Reality / E. Cosmology / 2. Eternal Universe
The parts of all things are susceptible to change, but the whole is unchangeable [Anaximander, by Diog. Laertius]
     Full Idea: The parts of all things are susceptible to change, but the whole is unchangeable.
     From: report of Anaximander (fragments/reports [c.570 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.An.2