6 ideas
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |
| 5845 | Niceratus learnt the whole of Homer by heart, as a guide to goodness [Xenophon] |
| Full Idea: Niceratus said that his father, because he was concerned to make him a good man, made him learn the whole works of Homer, and he could still repeat by heart the entire 'Iliad' and 'Odyssey'. | |
| From: Xenophon (Symposium [c.391 BCE], 3.5) | |
| A reaction: This clearly shows the status which Homer had in the teaching of morality in the time of Socrates, and it is precisely this acceptance of authority which he was challenging, in his attempts to analyse the true basis of virtue |
| 21995 | Must production determine superstructure, or could it be the other way round? [Singer on Marx] |
| Full Idea: Once the 'interaction' between the superstructure and the productive forces is admitted, is it still possible to maintain that production determines the superstructure, rather than the other way round? | |
| From: comment on Karl Marx (Capital Vol. 1 [1867]) by Peter Singer - Marx 7 | |
| A reaction: It is much harder to defend historical determinism if Singer is right about this. Modern capitalism won't admit of the sort of simple distinctions that mark was looking for. |
| 20577 | Even decently paid workers still have their produce bought with money stolen from them [Marx] |
| Full Idea: Even if the workers are paid a fair wage, the whole thing still remains the age-old activity of the conqueror, who buys commodities from the conquered with the money has has stolen from them, | |
| From: Karl Marx (Capital Vol. 1 [1867], p.728), quoted by Johanna Oksala - Political Philosophy: all that matters Ch.8 | |
| A reaction: [Penguin edition cited] The word 'stolen' is obviously dubious here. 'Exploitation' is a much more accurate word. One might talk of 'blackmail' or 'extortion' rather than theft. |