12 ideas
| 24016 | Consciousness always transcends itself [Sartre] |
| Full Idea: It is of the essence of consciousness to transcend itself | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: As usual, I am a bit baffled by these sorts of pronouncement. Sounds like an oxymoron to me. Maybe it is a development of Schopenhauer's thought. |
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 24014 | Emotions are a sort of bodily incantation which brings a magic to the world [Sartre] |
| Full Idea: Joy is the magical behaviour which tries, by incantation, to realise the possession of the desired object as an instantaneous totality. [47] Emotions are all reducible to the constitution of a magic world by using our bodies as instruments of incantation. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: I can't pretend to understand this, but I am reminded of the fact that the so-called primary qualities of perception are innately boring, and it is only the secondary qualities (like colour and smell) which make the world interesting. |
| 24015 | Emotions makes us believe in and live in a new world [Sartre] |
| Full Idea: Emotion is a phenomenon of belief. Consciousness does not limit itself to the projection of affective meanings upon the world around it; it lives the new world it has thereby constituted. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: There seems to be an implied anti-realism in this, since the emotions prevent us from relating more objectively to the world. The 'magic' seems to be compulsory. |
| 5845 | Niceratus learnt the whole of Homer by heart, as a guide to goodness [Xenophon] |
| Full Idea: Niceratus said that his father, because he was concerned to make him a good man, made him learn the whole works of Homer, and he could still repeat by heart the entire 'Iliad' and 'Odyssey'. | |
| From: Xenophon (Symposium [c.391 BCE], 3.5) | |
| A reaction: This clearly shows the status which Homer had in the teaching of morality in the time of Socrates, and it is precisely this acceptance of authority which he was challenging, in his attempts to analyse the true basis of virtue |
| 20491 | States have a monopoly of legitimate violence [Sartre, by Wolff,J] |
| Full Idea: Max Weber observed that states possess a monopoly of legitimate violence. | |
| From: report of Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939]) by Jonathan Wolff - An Introduction to Political Philosophy (Rev) 2 'State' | |
| A reaction: This sounds rather hair-raising, and often is, but it sounds quite good if we describe it as a denial of legitimate violence to individual citizens. Hobbes would like it, since individual violence breaches some sort of natural contract. Guns in USA. |
| 21275 | Unlike a stone, the parts of a watch are obviously assembled in order to show the time [Paley] |
| Full Idea: When we come to inspect a watch we perceive (what we could not discover in a stone) that its several parts are put together for a purpose, to produce motion, and that motion so regulated as to point out the hour of the day. | |
| From: William Paley (Natural Theology [1802], Ch 1) | |
| A reaction: Microscopic examination of the stone would have surprised Paley. Should we infer a geometer because the sun is spherical? Crytals look designed, but are explained by deeper chemistry. |
| 21276 | From the obvious purpose and structure of a watch we must infer that it was designed [Paley] |
| Full Idea: The inference is inevitable that the watch had a maker; that there must have existed, at some time, an artificer or artificers who formed it for the purpose which we find it actually to answer, who designed its use. | |
| From: William Paley (Natural Theology [1802], Ch 1) | |
| A reaction: It rather begs the question to refer to an ordered structure as a 'design'. Why do we think it is absurd to think the the 'purpose' of the sun is to benefit mankind? Suppose we found a freakish natural sundial in the woods. |
| 21277 | Even an imperfect machine can exhibit obvious design [Paley] |
| Full Idea: It is not necessary that a machine be perfect, in order to show with what design it was made. | |
| From: William Paley (Natural Theology [1802], Ch 1) | |
| A reaction: This encounters Hume's point that you will then have to infer that the designer contains similar imperfections. If you look at plagues, famines and mothers dying in childbirth (see Mill), you might wish the designer had never started. |
| 21278 | All the signs of design found in a watch are also found in nature [Paley] |
| Full Idea: Every indication of contrivance, every manifestation of design, which existed in the watch, exists in the works of nature. | |
| From: William Paley (Natural Theology [1802], Ch.3) | |
| A reaction: This is far from obvious. It was crucial to the watch analogy that we immediately see its one self-evident purpose. No one looks at nature and says 'Aha, I know what this is all for'. |
| 21357 | No organ shows purpose more obviously than the eyelid [Paley] |
| Full Idea: The eyelid defends the eye; it wipes it; it closes it in sleep. Are there, in any work of art whatever, purposes more evident than those which this organ fulfils? | |
| From: William Paley (Natural Theology [1802], p.24), quoted by Armand Marie LeRoi - The Lagoon: how Aristotle invented science 031 | |
| A reaction: Nice to have another example, in addition to the watch. He is not wholly wrong, because it is impossible to give an evolutionary account of the development of the eyelid without referring to some sort of teleological aspect. The eyelid has a function. |