7 ideas
| 8956 | What is a singleton set, if a set is meant to be a collection of objects? [Szabó] |
| Full Idea: The relationship between an object and its singleton is puzzling. Our intuitive conception of a set is a collection of objects - what are we to make of a collection of a single object? | |
| From: Zoltán Gendler Szabó (Nominalism [2003], 4.1) | |
| A reaction: The ontological problem seems to be the same as that of the empty set, and indeed the claim that a pair of entities is three things. For logicians the empty set is as real as a pet dog, but not for me. |
| 8953 | Abstract entities don't depend on their concrete entities ...but maybe on the totality of concrete things [Szabó] |
| Full Idea: It is better not to include in the definition of abstract entities that they ontologically depend on their concrete correlates. Note: ..but they may depend on the totality of concreta; maybe 'the supervenience of the abstract' is part of ordinary thought. | |
| From: Zoltán Gendler Szabó (Nominalism [2003], 2.2) | |
| A reaction: [the quoted phrase is from Gideon Rosen] It certainly seems unlikely that the concept of the perfect hexagon depends on a perfect hexagon having existed. Human minds have intervened between the concrete and the abstract. |
| 16669 | Everything that exists is either a being, or some mode of a being [Malebranche] |
| Full Idea: It is absolutely necessary that everything in the world be either a being or a mode [manière] of a being. | |
| From: Nicolas Malebranche (The Search After Truth [1675], III.2.8.ii), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 13.4 |
| 8954 | Geometrical circles cannot identify a circular paint patch, presumably because they lack something [Szabó] |
| Full Idea: The vocabulary of geometry is sufficient to identify the circle, but could not be used to identify any circular paint patch. The reason must be that the circle lacks certain properties that can distinguish paint patches from one another. | |
| From: Zoltán Gendler Szabó (Nominalism [2003], 2.2) | |
| A reaction: I take this to be support for the traditional view, that abstractions are created by omitting some of the properties of physical objects. I take them to be fictional creations, reified by language, and not actual hidden entities that have been observed. |
| 8955 | Abstractions are imperceptible, non-causal, and non-spatiotemporal (the third explaining the others) [Szabó] |
| Full Idea: In current discussions, abstract entities are usually distinguished as 1) in principle imperceptible, 2) incapable of causal interaction, 3) not located in space-time. The first is often explained by the second, which is in turn explained by the third. | |
| From: Zoltán Gendler Szabó (Nominalism [2003], 2.2) | |
| A reaction: Szabó concludes by offering 3 as the sole criterion of abstraction. As Lewis points out, the Way of Negation for defining abstracta doesn't tell us very much. Courage may be non-spatiotemporal, but what about Alexander the Great's courage? |
| 20441 | An ordinary object can be a work of art, but only if some theory of art supports it [Danto] |
| Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is. | |
| From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto | |
| A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion. |
| 12726 | In a true cause we see a necessary connection [Malebranche] |
| Full Idea: A true cause is one in which the mind perceives a necessary connection between the cause and its effect. | |
| From: Nicolas Malebranche (The Search After Truth [1675], 1.649 (450)), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 5 | |
| A reaction: Presumably Hume was ignorant of 'true' causes, since he says he never saw this connection. But then is the perception done by the mind, or by the senses? |