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48 ideas

2. Reason / A. Nature of Reason / 1. On Reason
It is a principle of reasoning not to clutter your mind with trivialities [Harman]
     Full Idea: I am assuming the following principle: Clutter Avoidance - in reasoning, one should not clutter one's mind with trivialities.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 2)
     A reaction: I like Harman's interest in the psychology of reasoning. In the world of Frege, it is taboo to talk about psychology.
The rules of reasoning are not the rules of logic [Harman]
     Full Idea: Rules of deduction are rules of deductive argument; they are not rules of inference or reasoning.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 1)
     A reaction: And I have often noticed that good philosophing reasoners and good logicians are frequently not the same people.
If there is a great cost to avoiding inconsistency, we learn to reason our way around it [Harman]
     Full Idea: We sometimes discover our views are inconsistent and do not know how to revise them in order to avoid inconsistency without great cost. The best response may be to keep the inconsistency and try to avoid inferences that exploit it.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 2)
     A reaction: Any decent philosopher should face this dilemma regularly. I assume non-philosophers don't compare the different compartments of their beliefs very much. Students of non-monotonic logics are trying to formalise such thinking.
Logic has little relevance to reasoning, except when logical conclusions are immediate [Harman]
     Full Idea: Although logic does not seem specially relevant to reasoning, immediate implication and immediate inconsistency do seem important for reasoning.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 2)
     A reaction: Ordinary thinkers can't possibly track complex logical implications, so we have obviously developed strategies for coping. I assume formal logic is contructed from the basic ingredients of the immediate and obvious implications, such as modus ponens.
2. Reason / A. Nature of Reason / 4. Aims of Reason
Implication just accumulates conclusions, but inference may also revise our views [Harman]
     Full Idea: Implication is cumulative, in a way that inference may not be. In argument one accumulates conclusions; things are always added, never subtracted. Reasoned revision, however, can subtract from one's view as well as add.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 1)
     A reaction: This has caught Harman's attention, I think (?), because he is looking for non-monotonic reasoning (i.e. revisable reasoning) within a classical framework. If revision is responding to evidence, the logic can remain conventional.
2. Reason / A. Nature of Reason / 5. Objectivity
The personal view can still be objective, so I call sciences 'impersonal', rather than objective [Goldie]
     Full Idea: 'Objective' is misleading because it is possible to be, from a personal point of view, more or less objective; objectivity admits of degrees… I prefer to speak of sciences as 'impersonal', because the personal view is lost.
     From: Peter Goldie (The Emotions [2000], Intro)
     A reaction: This evidently relates to Perry's claim that the world contains additional indexical facts. I think I agree with this thought. Objectivity is a mode of subjectivity. Thermometers are not 'objective'. Physics is certainly impersonal.
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
     Full Idea: If a designated conclusion follows from the premisses, but the argument involves two howlers which cancel each other out, then the moral is that the path an argument takes from premisses to conclusion does matter to its logical evaluation.
     From: Ian Rumfitt ("Yes" and "No" [2000], II)
     A reaction: The drift of this is that our view of logic should be a little closer to the reasoning of ordinary language, and we should rely a little less on purely formal accounts.
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
     Full Idea: If 'and' and 'but' really are alike in sense, in what might that likeness consist? Some philosophers of classical logic will reply that they share a sense by virtue of sharing a truth table.
     From: Ian Rumfitt ("Yes" and "No" [2000])
     A reaction: This is the standard view which Rumfitt sets out to challenge.
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
     Full Idea: A connective will possess the sense that it has by virtue of its competent users' finding certain rules of inference involving it to be primitively obvious.
     From: Ian Rumfitt ("Yes" and "No" [2000], III)
     A reaction: Rumfitt cites Peacocke as endorsing this view, which characterises the logical connectives by their rules of usage rather than by their pure semantic value.
10. Modality / B. Possibility / 6. Probability
The Gambler's Fallacy (ten blacks, so red is due) overemphasises the early part of a sequence [Harman]
     Full Idea: The Gambler's Fallacy says if black has come up ten times in a row, red must be highly probable next time. It overlooks how the impact of an initial run of one color can become more and more insignificant as the sequence gets longer.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 1)
     A reaction: At what point do you decide that the roulette wheel is fixed, rather than that you have fallen for the Gambler's Fallacy? Interestingly, standard induction points to the opposite conclusion. But then you have prior knowledge of the wheel.
High probability premises need not imply high probability conclusions [Harman]
     Full Idea: Propositions that are individually highly probable can have an immediate implication that is not. The fact that one can assign a high probability to P and also to 'if P then Q' is not sufficient reason to assign high probability to Q.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 3)
     A reaction: He cites Kyburg's Lottery Paradox. It is probable that there is a winning ticket, and that this ticket is not it. Thus it is NOT probable that I will win.
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
We strongly desire to believe what is true, even though logic does not require it [Harman]
     Full Idea: Moore's Paradox: one is strongly disposed not to believe both P and that one does not believe that P, while realising that these propositions are perfectly consistent with one another.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 2)
     A reaction: [Where in Moore?] A very nice example of a powerful principle of reasoning which can never be captured in logic.
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
In revision of belief, we need to keep track of justifications for foundations, but not for coherence [Harman]
     Full Idea: The key issue in belief revision is whether one needs to keep track of one's original justifications for beliefs. What I am calling the 'foundations' theory says yes; what I am calling the 'coherence' theory says no.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 4)
     A reaction: I favour coherence in all things epistemological, and this idea seems to match real life, where I am very confident of many beliefs of which I have forgotten the justification. Harman says coherentists need the justification only when they doubt a belief.
Coherence is intelligible connections, especially one element explaining another [Harman]
     Full Idea: Coherence in a view consists in connections of intelligibility among the elements of the view. Among other things these included explanatory connections, which hold when part of one's view makes it intelligible why some other part should be true.
     From: Gilbert Harman (Change in View: Principles of Reasoning [1986], 7)
     A reaction: Music to my ears. I call myself an 'explanatory empiricist', and embrace a coherence theory of justification. This is the framework within which philosophy should be practised. Harman is our founder, and Paul Thagard our guru.
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / c. Knowing other minds
We know other's emotions by explanation, contagion, empathy, imagination, or sympathy [Goldie]
     Full Idea: We know others' emotions by 1) understanding and explaining them, 2) emotional contagion, 3) empathy, 4) in-his-shoes imagining, and 5) sympathy.
     From: Peter Goldie (The Emotions [2000], 7 Intro)
     A reaction: He says these must be clearly distinguished, because they are often confused. In-his-shoes is 'me in their position', where empathy is how the position is just for them. The Simulationist approach likes these two. Sympathy need not share the feelings.
Empathy and imagining don't ensure sympathy, and sympathy doesn't need them [Goldie]
     Full Idea: Empathy and in-his-shoes imagining are not sufficient for sympathy. Nor are they necessary. You can even sympathise with another when these are impossible, with the sufferings of a whale or a dog, for example.
     From: Peter Goldie (The Emotions [2000], 7 'Sympathy')
     A reaction: Goldie is right that these distinct faculties are a blurred muddle in most of our accounts of dealing with other people. Empathy with a whale in not actually impossible, because we recognise their suffering, and we understand suffering.
18. Thought / A. Modes of Thought / 3. Emotions / a. Nature of emotions
Unlike moods, emotions have specific objects, though the difference is a matter of degree [Goldie]
     Full Idea: Emotions have more specific objects than moods. The difference is a matter of degree, so emotions don't necessarily have a specific object, and moods are not necessarily undirected towards an object, or lacking in intentionality.
     From: Peter Goldie (The Emotions [2000], 2 'Intentionality')
     A reaction: Could you simultaneously have an emotion and a mood which were in conflict, such as joy and misery (singing the blues), or love and hate ('odi et amo')? Could one transition into the other, as the object became clear, or faded away?
Emotional intentionality as belief and desire misses out the necessity of feelings [Goldie]
     Full Idea: Many philosophers who discuss the intentionality of the emotions seek to capture the intentionality of the emotions in terms of beliefs, or beliefs and desires. I think this is a mistake, and runs the risk of leaving feelings out of emotional experience.
     From: Peter Goldie (The Emotions [2000], 2 'Intentionality')
     A reaction: [He gives a list, which includes Kenny and Davidson] I would have thought that desires, at least, necessarily involve feelings, and neuroscientists seem to find emotions everywhere, including as part of belief. Be more holistic?
A long lasting and evolving emotion is still seen as a single emotion, such as love [Goldie]
     Full Idea: In narratives the different elements of an emotion are conceived of as all being part of the same emotion, in spite of its complex, episodic and dynamic features. Verbs expressing emotions don not use continuous tenses, such as 'he is being in love'.
     From: Peter Goldie (The Emotions [2000], 2 'What')
     A reaction: Goldie is keen on seeing emotions as part of a life narrative. An intriguing problem for the metaphysics of identity. If someone's love for a person comes and goes, is it the same love each time?
'Having an emotion' differs from 'being emotional' [Goldie]
     Full Idea: There is a contrast in commonsense psychology between 'being emotional' and 'having an emotion'.
     From: Peter Goldie (The Emotions [2000], 2 'Conclusion')
     A reaction: Is this just that being emotional is displaying the existing emotion? Though we say someone is 'being emotional' when the emotion seems to take control of their actions.
18. Thought / A. Modes of Thought / 3. Emotions / b. Types of emotion
Some Aborigines have fifteen different words for types of fear [Goldie]
     Full Idea: The Pintupi Aborigines of the Western Australian Desert have no less than fifteen words for different types of fear, including one for a sudden fear which leads one to stand up to see what caused it.
     From: Peter Goldie (The Emotions [2000], 4 'Evidence')
     A reaction: Reminiscent of the many Inuit words for snow, but this time it is about human experience, rather than the environment. We must assume they can distinguish the different types, so these gradations are real.
18. Thought / A. Modes of Thought / 3. Emotions / c. Role of emotions
Emotional responses can reveal to us our values, which might otherwise remain hidden [Goldie]
     Full Idea: Our emotional responses can reveal to us what we value, and what we value might not be epistemically accessible to us if we did not have such responses.
     From: Peter Goldie (The Emotions [2000], 2 'Conclusion')
     A reaction: This obviously invites the question of whether the emotion reveals the value, or determines the value. I suspect it is more the latter, because it is hard to see what art (for example) could have for us if we had no emotional responses.
If we have a 'feeling towards' an object, that gives the recognition a different content [Goldie]
     Full Idea: The content of the recognition in 'feeling towards' is different from the content of the recognition where no emotion is involved.
     From: Peter Goldie (The Emotions [2000], 2 'Education')
     A reaction: ['Feeling toward' is Goldie's coinage, to capture the intentionality in felt emotion] Interesting, but not convinced. Maybe the emotion just follows fast after the mere recognition. When I recognise a friend in a crowd, that triggers a feeling.
When actions are performed 'out of' emotion, they appear to be quite different [Goldie]
     Full Idea: Consider striking a blow or seeking safety unemotionally. Now consider when you act out of emotion: angrily striking the blow, or fearfully running away. The phenomenology of such actions is fundamentally different in character.
     From: Peter Goldie (The Emotions [2000], 2 'Explanation')
     A reaction: True, I guess. This has the behaviourist's problem of Superactors and Superspartans, of pretended or suppressed anger or fear. There is a sliding scale from stone cold to frenzied emotion.
It is best to see emotions holistically, as embedded in a person's life narrative [Goldie]
     Full Idea: The best understanding of a person's emotions …will be holistic in its overall approach, seeing feelings as embedded in an emotion's narrative, as part of a person's life.
     From: Peter Goldie (The Emotions [2000], 3 Intro)
     A reaction: Sounds reasonable, but I didn't find it very helpful. When told that my Self or my life has a 'narrative' I don't learn much. The concept of narrative relies on selves and lives. Ditto for being told that emotions or language are 'holistic'.
If emotions are 'towards' things, they can't be bodily feelings, which lack aboutness [Goldie]
     Full Idea: If emotion has the world-directed intentionality of 'feeling towards' it follows that it is not bodily feeling, for bodily feelings lack the required 'direct' (as contrasted with 'borrowed') intentionality.
     From: Peter Goldie (The Emotions [2000], 3 'Towards')
     A reaction: This is a direct response to William James's view, and seems correct. It is a widely held view that emotions are usually 'about' something, and it is hard to see how getting red in the face could do that.
18. Thought / A. Modes of Thought / 3. Emotions / d. Emotional feeling
If reasons are seen impersonally (as just causal), then feelings are an irrelevant extra [Goldie]
     Full Idea: If someone thought that reasons can be characterised impersonally, say in terms of causal role …it is then glaringly obvious that feelings cannot be left out, so they have to be added on. Hence I introduce the idea of 'feeling towards'.
     From: Peter Goldie (The Emotions [2000], Intro)
     A reaction: [compressed] That is, he wants us to see feelings as intentional, active, motivating and causal, and not the marginal epiphenomena implied by an impersonal account. I think he is right.
We have feelings of which we are hardly aware towards things in the world [Goldie]
     Full Idea: One can be unreflectively emotionally engaged with the world, having feelings towards some object in the world, and yet at that moment not be reflectively aware of having those feelings.
     From: Peter Goldie (The Emotions [2000], Intro)
     A reaction: I'm thinking that we do not just await some 'object' to trigger a background feeling, because we always have feelings. They are the continuous shifting wallpaper of our mental dwellings - which we sometimes notice.
An emotion needs episodes of feeling, but not continuously [Goldie]
     Full Idea: I see no need to insist that feelings …must be present at all times whilst you are having an emotion, …but without at least episodes of feeling, of which you can be more or less aware, an experience would not be an emotional one.
     From: Peter Goldie (The Emotions [2000], 3 'Unreflective')
     A reaction: [He cites William James] An odd situation, but it is the same as many chronic illnesses. Presumably because of the actual episodes the person will be aware of the emotion as a background state of potential episodes.
Moods can focus as emotions, and emotions can blur into moods [Goldie]
     Full Idea: A mood can focus into an emotion, and an emotion can blur out of focus into the non-specificity of mood.
     From: Peter Goldie (The Emotions [2000], 6 'Mood')
     A reaction: I am struck by how the strong emotion of a vivid dream can remain as an inarticulate mood for the rest of the day.
18. Thought / A. Modes of Thought / 3. Emotions / e. Basic emotions
Emotions are not avocado pears, with a rigid core and changeable surface [Goldie]
     Full Idea: In an evolutionary and cultural account of emotions, I resist the 'avocado pear' conception of emotions, that our emotional behaviour comprises an inner core of 'hard-wired' reaction, and an out element which is open to cultural influences.
     From: Peter Goldie (The Emotions [2000], Intro)
     A reaction: He is concerned with whether emotions can be educated, and defends the view that they can all be channelled or changed. In particular he rejects the idea that the stone consists of 'basic' emotions, which are untouchable.
A basic emotion is the foundation of a hierarchy, such as anger for types of annoyance [Goldie]
     Full Idea: The idea of basic emotions is that our concepts of emotions are hierarchically organised. For example, if anger is a basic emotion, then less basic species of anger might be annoyance, fury, rage, indignation, and so forth.
     From: Peter Goldie (The Emotions [2000], 4 'Evidence')
     A reaction: Most modern theorists seem to reject this idea. In a family of related emotions (each having a similar focal object), it is hard to see which one of them is basic, other than being the best known. Maybe the weakest one is basic?
Early Chinese basic emotions: joy, anger, sadness, fear, love, disliking, and liking [Goldie]
     Full Idea: The Chinese Li Chi encyclopaedia (1st century BCE) says there are seven 'feelings of men': joy, anger, sadness, fear, love, disliking, and liking.
     From: Peter Goldie (The Emotions [2000], 4 'Evidence')
     A reaction: [In J.Russell 1991] Love sounds like a stronger version of liking. If you are trying to train your feelings, it is helpful to have a basic list of them, even if the list is rather speculative.
Cross-cultural studies of facial expressions suggests seven basic emotions [Goldie]
     Full Idea: It has been suggested that there are seven 'basic' emotions, based on cross-cultural studies of facial expressions.
     From: Peter Goldie (The Emotions [2000], 4 'Evidence')
     A reaction: [Paul Ekman is cited] This makes the idea of universal basic emotions much more plausible. Goldie respects the research, but is cautious about inferences, mainly because digging deeper (such as interviews) makes it more complex.
18. Thought / A. Modes of Thought / 3. Emotions / f. Emotion and reason
Some emotions are direct responses, and neither rational nor irrational [Goldie]
     Full Idea: It is perfectly intelligible and entirely human to experience an emotion when seeing a low-flying bat, where we would not want to say that the experience was either rational or irrational.
     From: Peter Goldie (The Emotions [2000], Intro)
     A reaction: Goldie is attacking the common tendency of philosophers to over-intellectualise emotions. This example makes his point conclusively.
Emotional thought is not rational, but it can be intelligible [Goldie]
     Full Idea: Emotions are not based on syllogistic reasoning ….but the thoughts involved in an emotion can show it to be intelligible, intelligibility being a thinner notion than rationality.
     From: Peter Goldie (The Emotions [2000], 1 Intro)
     A reaction: A nice distinction. The emotion is the best explanation. Compare 'intuition' and 'sensible' behaviour as also intelligible. An obvious problem is that if a person runs amok because they have a brain tumour, that is intelligible, but in no way rational.
18. Thought / A. Modes of Thought / 3. Emotions / g. Controlling emotions
Learning an evaluative property like 'dangerous' is also learning an emotion [Goldie]
     Full Idea: The process of teaching a child how to identify things which are dangerous is typically one and the same process as teaching that child when fear is merited. ...'Dangerous' is an evaluative property, meriting a certain sort of response.
     From: Peter Goldie (The Emotions [2000], 2 'Education')
     A reaction: I like this, because it shows the unity between our inner life and our experience of the external world. Concepts and emotions are usually responses, rather than private initiatives.
We call emotions 'passions' because they are not as controlled as we would like [Goldie]
     Full Idea: In feeling towards things the imagination tends to 'run away with you', which is partly why the emotions are 'passions'; your thoughts and feelings are not always as much under your control as you would want them to be.
     From: Peter Goldie (The Emotions [2000], 3 'Towards')
     A reaction: This may have the chronology wrong. 'Passion' doesn't mean uncontrolled. I take it that 'passion' was an older word for 'emotion', and became attached to the older view of emotions as dangerous and corrupting.
Emotional control is hard, but we are responsible for our emotions over long time periods [Goldie]
     Full Idea: To some extent our emotions cannot be controlled. But to say that we are not responsible for our emotions is to ignore the possibility of educating them over time, so that, ideally, our responses come to be consonant with deliberated rational choices.
     From: Peter Goldie (The Emotions [2000], 4 'Education')
     A reaction: So people go on anger management courses, or talk through crises with councellors. This idea describes most people correctly, but some are in the grips of passions which seem impossible to control.
Emotions are not easily changed, as new knowledge makes little difference, and akrasia is possible [Goldie]
     Full Idea: Our emotional capabilities are not fully open to be developed. …First, they are to some extent cognitively impenetrable. Secondly, they can ground certain sorts of weakness of will, or akrasia.
     From: Peter Goldie (The Emotions [2000], 4 'Education')
     A reaction: Education makes us more receptive to evidence. We could probably rate emotions on a scale indicating how easy they are to change. Jealousy seems tenacious. Most fears respond quickly to clear evidence.
Emotional control is less concerned with emotional incidents, and more with emotional tendencies [Goldie]
     Full Idea: It is a mistake to speak as if emotional control is always a matter of controlling a token emotional response or action; …rather, it is like reshaping the channel along which future emotions can run.
     From: Peter Goldie (The Emotions [2000], 4 'Education')
     A reaction: Presumably wise parents direct habitual feelings, where less wise parents respond to outbursts. The very best parents therefore presumably achieve complete brainwashing, and eliminate all initiative. Er, perhaps I've misunderstood?
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
     Full Idea: The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A.
     From: Ian Rumfitt ("Yes" and "No" [2000], IV)
     A reaction: [compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role).
20. Action / B. Preliminaries of Action / 2. Willed Action / d. Weakness of will
Akrasia can be either overruling our deliberation, or failing to deliberate [Goldie]
     Full Idea: I call it 'last ditch' akrasia when we deliberately decide to do something, and then don't do it, and 'impetuous' akrasia when we rush into doing something which, if we had deliberated, we would not have done.
     From: Peter Goldie (The Emotions [2000], 4 'Education')
     A reaction: I'm not convinced that his impetuous version counts as akrasia, which seems to be vice of people who deliberate. [But he cites Aristotle 1150b19-].
20. Action / C. Motives for Action / 3. Acting on Reason / a. Practical reason
Justifying reasons say you were right; excusing reasons say your act was explicable [Goldie]
     Full Idea: A justifying reason will show that what you did, all things considered, was the right thing to do; an excusing reason will not justify, but will give some excuse to explain why you did what you did.
     From: Peter Goldie (The Emotions [2000], 6 Intro)
     A reaction: There are also internal reasons before the event, and explicit reasons afterwards. A mistaken justification might still be an excuse.
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
Character traits are both possession of and lack of dispositions [Goldie]
     Full Idea: Most traits are dispositions of a relatively stable sort, but traits need not be dispositions. A trait can be a lack of disposition.
     From: Peter Goldie (The Emotions [2000], 6 'Traits')
     A reaction: Presumably only the lack relatively normal dispositions will count as traits.
We over-estimate the role of character traits when explaining behaviour [Goldie]
     Full Idea: We significantly overestimate the role of character traits in explaining and predicting people's action: the so-called Fundamental Attribution error.
     From: Peter Goldie (The Emotions [2000], 6 'Traits')
     A reaction: I think this point is incredibly important in daily life. 'When someone shows you who they are, believe them!' is a good thought. But we must distinguish the deeply revealing moment from the transient superficial one.
Psychologists suggest we are muddled about traits, and maybe they should be abandoned [Goldie]
     Full Idea: Empirical psychologists have suggested that our practice of trait ascription is systematically prone to error. Some philosophers have concluded that the whole business of trait ascription, and of virtue ethics, should be abandoned.
     From: Peter Goldie (The Emotions [2000], 6 'Traits')
     A reaction: [He cites Ross and Nisbet, and Gilbert Harman as a sceptic] I suspect the problem is that character traits are not precise enough for scientific assessment. How else are we going to describe a person? What else can we say at funerals?
27. Natural Reality / G. Biology / 3. Evolution
Our capabilities did not all evolve during the hunter gathering period [Goldie]
     Full Idea: It is an unwarranted assumption that the only relevant evolutionary period in which our capabilities for emotions evolved is the period in which our ancestors were hunting and gathering.
     From: Peter Goldie (The Emotions [2000], 4 'Education')
     A reaction: Goldie says that the evolution of emotions could well extend to much earlier times. Presumably this also applies to other traits, notably those not obviously needed for hunting. Gathering needs long term planning.