16541
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All the intrinsic properties of a thing should be deducible from its definition [Spinoza]
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Full Idea:
The definition of a thing should be such that all the properties of that thing, in so far as it is considered by itself, and not in conjunction with other things, can be deduced from it.
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From:
Baruch de Spinoza (Improvement of Understanding [1675], p.35), quoted by E.J. Lowe - What is the Source of Knowledge of Modal Truths? 6
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A reaction:
This is exactly what Locke requires of a real essence (though he is pessimistic about ever achieving it). Spinoza is talking of an Aristotelian real definition, which may be complex, and not a lexicographer's short verbal explication.
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13073
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To understand the properties we must know the essence, as with a circle [Spinoza]
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Full Idea:
If a circle is defined as a figure in which lines from centre to circumference are equal, such definitions do not explain the essence of a circle, but only a property. The properties of a thing are not understood as long as their essences are not known.
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From:
Baruch de Spinoza (Improvement of Understanding [1675], §95), quoted by Cover,J/O'Leary-Hawthorne,J - Substance and Individuation in Leibniz 1.2.1
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A reaction:
This is the traditional Aristotelian view of essence, and the example of a circle is nice, though I am not sure what the essence of a circle might be. Presumably ALL the properties of a circle must flow from it.
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11214
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We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
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Full Idea:
The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A.
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From:
Ian Rumfitt ("Yes" and "No" [2000], IV)
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A reaction:
[compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role).
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20444
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If paintings could be perfectly duplicated, it would be a multiple art form [Currie, by Bacharach]
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Full Idea:
Currie claims that, in principle, all art forms are multiple. A superxerox machine, duplicating a painting molecule by molecule, would show that paintings are singular only contingently.
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From:
report of Gregory Currie (An Ontology of Art [1988]) by Sondra Bacharach - Arthur C. Danto 3
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A reaction:
This strikes me as correct. An original painting would then have the same status as the manuscript of a poem, giving it an authority, and being moving by its personal contact with the artist. But worth far less than current original paintings.
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