17 ideas
| 14782 | Philosophy is an experimental science, resting on common experience [Peirce] |
| Full Idea: Philosophy, although it uses no microscopes or other apparatus of special observation, is really an experimental science, resting on that experience which is common to us all. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], I) | |
| A reaction: The 'experimental' either implies that thought-experiments are central to the subject, or that philosophers are discussing the findings of scientists, but at a high level of theory and abstraction. Peirce probably means the latter. I can't disagree. |
| 14787 | Self-contradiction doesn't reveal impossibility; it is inductive impossibility which reveals self-contradiction [Peirce] |
| Full Idea: It is an anacoluthon to say that a proposition is impossible because it is self-contradictory. It rather is thought so to appear self-contradictory because the ideal induction has shown it to be impossible. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], III) |
| 11211 | If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt] |
| Full Idea: If a designated conclusion follows from the premisses, but the argument involves two howlers which cancel each other out, then the moral is that the path an argument takes from premisses to conclusion does matter to its logical evaluation. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], II) | |
| A reaction: The drift of this is that our view of logic should be a little closer to the reasoning of ordinary language, and we should rely a little less on purely formal accounts. |
| 14783 | Logic, unlike mathematics, is not hypothetical; it asserts categorical ends from hypothetical means [Peirce] |
| Full Idea: Mathematics is purely hypothetical: it produces nothing but conditional propositions. Logic, on the contrary, is categorical in its assertions. True, it is a normative science, and not a mere discovery of what really is. It discovers ends from means. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], II) |
| 11210 | Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt] |
| Full Idea: If 'and' and 'but' really are alike in sense, in what might that likeness consist? Some philosophers of classical logic will reply that they share a sense by virtue of sharing a truth table. | |
| From: Ian Rumfitt ("Yes" and "No" [2000]) | |
| A reaction: This is the standard view which Rumfitt sets out to challenge. |
| 11212 | The sense of a connective comes from primitively obvious rules of inference [Rumfitt] |
| Full Idea: A connective will possess the sense that it has by virtue of its competent users' finding certain rules of inference involving it to be primitively obvious. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], III) | |
| A reaction: Rumfitt cites Peacocke as endorsing this view, which characterises the logical connectives by their rules of usage rather than by their pure semantic value. |
| 14788 | Mathematics is close to logic, but is even more abstract [Peirce] |
| Full Idea: The whole of the theory of numbers belongs to logic; or rather, it would do so, were it not, as pure mathematics, pre-logical, that is, even more abstract than logic. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], IV) | |
| A reaction: Peirce seems to flirt with logicism, but rejects in favour of some subtler relationship. I just don't believe that numbers are purely logical entities. |
| 14786 | Some logical possibility concerns single propositions, but there is also compatibility between propositions [Peirce] |
| Full Idea: Many say everything is logically possible which involves no contradiction. In this sense two contradictory propositions may be severally possible. In the substantive sense, the contradictory of a possible proposition is impossible (if we were omniscient). | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], III) |
| 14789 | Experience is indeed our only source of knowledge, provided we include inner experience [Peirce] |
| Full Idea: If Mill says that experience is the only source of any kind of knowledge, I grant it at once, provided only that by experience he means personal history, life. But if he wants me to admit that inner experience is nothing, he asks what cannot be granted. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898]) | |
| A reaction: Notice from Idea 14785 that Peirce has ideas in mind, and not just inner experiences like hunger. Empiricism certainly begins to look more plausible if we expand the notion of experience. It must include what we learned from prior experience. |
| 14785 | The world is one of experience, but experiences are always located among our ideas [Peirce] |
| Full Idea: The real world is the world of sensible experience, and it is part of the process of sensible experience to locate its facts in the world of ideas. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], III) | |
| A reaction: This is the neatest demolition of the sharp dividing line between empiricism and rationalism that I have ever encountered. |
| 11214 | We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt] |
| Full Idea: The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], IV) | |
| A reaction: [compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role). |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 14784 | Ethics is the science of aims [Peirce] |
| Full Idea: Ethics is the science of aims. | |
| From: Charles Sanders Peirce (The Nature of Mathematics [1898], II) | |
| A reaction: Intriguing slogan. He is discussing the aims of logic. I think what he means is that ethics is the science of value. 'Science' may be optimistic, but I would sort of agree with his basic idea. |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |