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All the ideas for '', 'Proper Names' and 'Recent Aesthetics in England and America'

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11 ideas

5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
     Full Idea: If a designated conclusion follows from the premisses, but the argument involves two howlers which cancel each other out, then the moral is that the path an argument takes from premisses to conclusion does matter to its logical evaluation.
     From: Ian Rumfitt ("Yes" and "No" [2000], II)
     A reaction: The drift of this is that our view of logic should be a little closer to the reasoning of ordinary language, and we should rely a little less on purely formal accounts.
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
     Full Idea: If 'and' and 'but' really are alike in sense, in what might that likeness consist? Some philosophers of classical logic will reply that they share a sense by virtue of sharing a truth table.
     From: Ian Rumfitt ("Yes" and "No" [2000])
     A reaction: This is the standard view which Rumfitt sets out to challenge.
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
     Full Idea: A connective will possess the sense that it has by virtue of its competent users' finding certain rules of inference involving it to be primitively obvious.
     From: Ian Rumfitt ("Yes" and "No" [2000], III)
     A reaction: Rumfitt cites Peacocke as endorsing this view, which characterises the logical connectives by their rules of usage rather than by their pure semantic value.
5. Theory of Logic / F. Referring in Logic / 1. Naming / b. Names as descriptive
We don't normally think of names as having senses (e.g. we don't give definitions of them) [Searle]
     Full Idea: If Tully=Cicero is synthetic, the names must have different senses, which seems implausible, for we don't normally think of proper names as having senses in the way that predicates do (we do not, e.g., give definitions of proper names).
     From: John Searle (Proper Names [1958], p.89)
     A reaction: It is probably necessary to prize apart the question of whether Tully 'has' (intrinsically) a sense, from whether we think of Tully in that way. Stacks of books have appeared about this one, since Kripke.
How can a proper name be correlated with its object if it hasn't got a sense? [Searle]
     Full Idea: It seems that a proper name could not have a reference unless it did have a sense, for how, unless the name has a sense, is it to be correlated with the object?
     From: John Searle (Proper Names [1958], p.91)
     A reaction: This might (just) be the most important question ever asked in modern philosophy, since it provoked Kripke into answering it, by giving a social, causal, externalist account of how names (and hence lots of language) actually work. But Searle has a point.
'Aristotle' means more than just 'an object that was christened "Aristotle"' [Searle]
     Full Idea: Aristotle being identical with an object that was originally christened will not suffice, for the force of "Aristotle" is greater than the force of 'identical with an object named "Aristotle"', for not just any object named "Aristotle" will do.
     From: John Searle (Proper Names [1958], p.93)
     A reaction: This anticipates Kripke's proposal to base reference on baptism. I remain unsure about how rigid a designation of Aristotle could be, in a possible world where his father died young, and he became an illiterate soldier who hates philosophy.
Reference for proper names presupposes a set of uniquely referring descriptions [Searle]
     Full Idea: To use a proper name referringly is to presuppose the truth of certain uniquely referring descriptive statements. ...Names are pegs on which to hang descriptions.
     From: John Searle (Proper Names [1958], p.94)
     A reaction: This 'cluster' view of Searle's has become notorious, but I think one could at least try to mount a defence. The objection to Searle is that none of the descriptions are necessary, unlike just being the named object.
Proper names are logically connected with their characteristics, in a loose way [Searle]
     Full Idea: If asked whether or not proper names are logically connected with characteristics of the object to which they refer, the answer is 'yes, in a loose sort of way'.
     From: John Searle (Proper Names [1958], p.96)
     A reaction: It seems to be inviting trouble to assert that a connection is both 'logical' and 'loose'. Clearly Searle has been reading too much later Wittgenstein. This is probably the weakest point in Searle's proposal, which brought a landslide of criticism.
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
     Full Idea: The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A.
     From: Ian Rumfitt ("Yes" and "No" [2000], IV)
     A reaction: [compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role).
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics has risen and fallen with Romanticism [Scruton]
     Full Idea: The rise and fall (as we presently perceive them) of aesthetics have been contemporaneous with the rise and fall of Romanticism.
     From: Roger Scruton (Recent Aesthetics in England and America [1980], p.3)
     A reaction: Maybe it started a little before Romanticism, as part of the Englightenment aim of being rational about everything, and maybe it survives Romanticism because we want to be scientific about everything.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience informs the world with the values of the observer [Scruton]
     Full Idea: It is possible to conclude that aesthetic experience has a peculiar practical significance: it represents the world as informed by the values of the observer.
     From: Roger Scruton (Recent Aesthetics in England and America [1980], p.13)
     A reaction: An excellent remark. If you look at, or listen to, anything, you can make a conscious effort to drain away your personal values (objectivity; science?), or you can consciously flood them with values. But moral and aesthetic vision must differ...