24 ideas
| 11211 | If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt] |
| Full Idea: If a designated conclusion follows from the premisses, but the argument involves two howlers which cancel each other out, then the moral is that the path an argument takes from premisses to conclusion does matter to its logical evaluation. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], II) | |
| A reaction: The drift of this is that our view of logic should be a little closer to the reasoning of ordinary language, and we should rely a little less on purely formal accounts. |
| 11210 | Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt] |
| Full Idea: If 'and' and 'but' really are alike in sense, in what might that likeness consist? Some philosophers of classical logic will reply that they share a sense by virtue of sharing a truth table. | |
| From: Ian Rumfitt ("Yes" and "No" [2000]) | |
| A reaction: This is the standard view which Rumfitt sets out to challenge. |
| 11212 | The sense of a connective comes from primitively obvious rules of inference [Rumfitt] |
| Full Idea: A connective will possess the sense that it has by virtue of its competent users' finding certain rules of inference involving it to be primitively obvious. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], III) | |
| A reaction: Rumfitt cites Peacocke as endorsing this view, which characterises the logical connectives by their rules of usage rather than by their pure semantic value. |
| 3847 | Man is nothing else but the sum of his actions [Sartre] |
| Full Idea: Man is nothing else but the sum of his actions. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.41) | |
| A reaction: This might be plausible if unperformed actions are included. For some people, their whole life story consists of what they failed to do. |
| 3846 | Man IS freedom [Sartre] |
| Full Idea: There is no determinism - man is free, man IS freedom. …Man is condemned to be free. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.34) |
| 11214 | We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt] |
| Full Idea: The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A. | |
| From: Ian Rumfitt ("Yes" and "No" [2000], IV) | |
| A reaction: [compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role). |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers. |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations. | |
| From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt. |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) | |
| A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal. |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |
| Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2 | |
| A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters. |
| 3843 | There is no human nature [Sartre] |
| Full Idea: There is no human nature. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.28) | |
| A reaction: Everything which can be individuated has a nature, say I, wearing my Aristotelian lapel badge. Does he think the same of cats? Does he think the mind is a blank page? |
| 20762 | There are no values to justify us, and no excuses [Sartre] |
| Full Idea: There are no values or commands to turn to which legitimize our conduct. …We are alone with no excuses. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.296), quoted by Kevin Aho - Existentialism: an introduction 6 'Bad' | |
| A reaction: If there are no values or duties, why might you ever need excuses? |
| 3852 | If values depend on us, freedom is the foundation of all values [Sartre] |
| Full Idea: Once a man has seen that values depend upon himself, he can only will one thing, and that is freedom as the foundation of all values. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.51) | |
| A reaction: I don't think so. Is freedom the foundation of all arithmetic, because I am untrammelled when doing addition? Values are ridiculous if they don't reflect facts. |
| 20764 | In becoming what we want to be we create what we think man ought to be [Sartre] |
| Full Idea: In creating the man that we want to be, there is not a single one of our acts which does not at the same time create an image of man as we think he ought to be. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.293), quoted by Kevin Aho - Existentialism: an introduction 7 'Anything' | |
| A reaction: I recall this being one of my earliest thoughts about morality - that in everything we do we are all role models for the people around us. For me, that leads to virtue theory. |
| 3848 | Cowards are responsible for their cowardice [Sartre] |
| Full Idea: The existentialist, when he portrays a coward, shows him as responsible for his cowardice. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.42) |
| 20763 | When my personal freedom becomes involved, I must want freedom for everyone else [Sartre] |
| Full Idea: Freedom as the definition of man does not depend on others, but as soon as there is involvement, I am obliged to want others to have freedom at the same time that I want my own freedom. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.306), quoted by Kevin Aho - Existentialism: an introduction 7 'Anything' | |
| A reaction: Appears to be a highly Kantian sense of rational duty, and a rather odd constraint on someone whose only value is freedom. Sartre is aware that he needs an existential politics, but he's not there yet. 'Involvement' is an interesting addition to Kant. |
| 22229 | Existentialists says that cowards and heroes make themselves [Sartre] |
| Full Idea: What the existentialist says is that the coward makes himself cowardly, that the hero makes himself heroic. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.35), quoted by Christine Daigle - Jean-Paul Sartre 2.3 | |
| A reaction: A nice statement of the existential plasticity of the self, in opposition to the much stronger concept of human nature in Aristotle (who nevertheless believes you can acquire virtues and vices). |
| 3842 | Existence before essence (or begin with the subjective) [Sartre] |
| Full Idea: Existentialism says that existence comes before essence - or, if you will, that we must begin from the subjective. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.26) |
| 6868 | 'Existence precedes essence' means we have no pre-existing self, but create it through existence [Sartre, by Le Poidevin] |
| Full Idea: I take 'existence precedes essence' to mean that we do not have a pre-existing self, which organises our behaviour, but rather that we create our self as we go along, through our existence and activities. | |
| From: report of Jean-Paul Sartre (Existentialism and Humanism [1945]) by Robin Le Poidevin - Interview with Baggini and Stangroom p.222 | |
| A reaction: The direct opponent of this is Aristotle, who builds his ethics on a fairly fixed human nature, but even he agrees that we mould our moral characters through our activities, in a circular way. There are not, though, infinite possibilities in mankind. |
| 3844 | Existentialism says man is whatever he makes of himself [Sartre] |
| Full Idea: Man is nothing else but that which he makes of himself. This is the first principle of existentialism. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.28) |
| 20754 | It is dishonest to offer passions as an excuse [Sartre] |
| Full Idea: Every man who takes refuge behind the excuse of his passions is a dishonest man. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.305), quoted by Kevin Aho - Existentialism: an introduction 5 'Core' | |
| A reaction: To say 'my passion was so strong that I was too weak to resist it' doesn't sound prima facie dishonest. Sartre's idea is more of an exhortation than a fact, and sounds rather old fashioned and puritan. Do my reasons constitutes excuses? |
| 6571 | When a man must choose between his mother and the Resistance, no theory can help [Sartre, by Fogelin] |
| Full Idea: When a young man must choose between his bereft mother and the French Resistance, Sartre says no moral theory is capable of resolving the dilemma; the man must act on his own, and in the process define his moral character. | |
| From: report of Jean-Paul Sartre (Existentialism and Humanism [1945], p.35-9) by Robert Fogelin - Walking the Tightrope of Reason Ch.2 | |
| A reaction: Fogelin agrees, but rejects Sartre's claim that all morality is like this. I agree with Fogelin. However, what I like is the idea of 'defining one's moral character' by choices, but that is because it endorses the views of Aristotle (e.g. Idea 4394). |
| 3851 | If I do not choose, that is still a choice [Sartre] |
| Full Idea: If I do not choose, that is still a choice. | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.48) |
| 3845 | Without God there is no intelligibility or value [Sartre] |
| Full Idea: For the atheist existentialist there disappears with God all possibility of finding values in an intelligible heaven. (Dostoevsky wrote "If God did not exist, everything would be permitted"). | |
| From: Jean-Paul Sartre (Existentialism and Humanism [1945], p.33) |