Combining Texts

All the ideas for '', 'An Essay in Aesthetics' and 'Truth and Ontology'

unexpand these ideas     |    start again     |     specify just one area for these texts


41 ideas

3. Truth / B. Truthmakers / 2. Truthmaker Relation
A ground must be about its truth, and not just necessitate it [Merricks]
     Full Idea: A ground does not merely necessitate its truth. A ground is also what its truth is appropriately about.
     From: Trenton Merricks (Truth and Ontology [2007], 7.II)
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Truthmaker needs truths to be 'about' something, and that is often unclear [Merricks]
     Full Idea: It is not always obvious what (if anything) a truth is about, in the sense of 'about' relevant to Truthmaker and truth-supervenient-on-being. Prior says 'Queen Anne is dead' is not about Queen Anne, and may be about the Earth.
     From: Trenton Merricks (Truth and Ontology [2007], 6.III)
     A reaction: A very nice and rather subtle objection to the Truthmaker thesis. Specifying the truthmaker for a given truth looks like a doddle in simple cases, but clearly it can become extremely elusive in other cases.
3. Truth / B. Truthmakers / 5. What Makes Truths / b. Objects make truths
If a ball changes from red to white, Truthmaker says some thing must make the change true [Merricks]
     Full Idea: If a single ball goes from being red to being white, Truthmaker implies that something exists which makes it true that the second thing follows the first.
     From: Trenton Merricks (Truth and Ontology [2007], 3.V)
Truthmaker says if an entity is removed, some nonexistence truthmaker must replace it [Merricks]
     Full Idea: Truthmaker makes it impossible simply to remove an entity. One must always replace it with something else; namely, a truthmaker for the claim that that entity does not exist.
     From: Trenton Merricks (Truth and Ontology [2007], 4.I-3)
     A reaction: This is a particularly strong and persuasive argument from Merricks against the truthmaker view. Clearly the truthmaker for non-existence can't be there when it exists, and the destruction bringing the negative truthmaker into existence sounds odd.
If Truthmaker says each truth is made by the existence of something, the theory had de re modality at is core [Merricks]
     Full Idea: Truthmaker says that, for each truth, there is something that, by its mere existence, makes that truth true, …so Truthmaker has de re modality at its core.
     From: Trenton Merricks (Truth and Ontology [2007], 5.III)
     A reaction: I have no problem with de re modality, so this doesn't bother me. Merricks brings out nicely the baggage which you must carry if you are a Truthmaker.
3. Truth / B. Truthmakers / 5. What Makes Truths / c. States of affairs make truths
Truthmaker demands not just a predication, but an existing state of affairs with essential ingredients [Merricks]
     Full Idea: The claim 'that Fido is brown' seems to demand only a brown Fido, but Truthmaker demands more. It demands both that a state of affairs along the lines of 'Fido's being brown' exists, and also that this state has its constituents essentially.
     From: Trenton Merricks (Truth and Ontology [2007], 4.I)
     A reaction: One would need to reread Merricks to get this clear, but my instinct is that the two scenarios are not very different. 'A brown Fido' would require Fido to be necessarily brown to do the job.
3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
If 'truth supervenes on being', worlds with the same entities, properties and relations have the same truths [Merricks]
     Full Idea: 'Truth supervenes on being' says that any two possible worlds alike with respect to what entities exist and which properties (and relations) each of those entities exemplifies are thereby alike with respect to what is true.
     From: Trenton Merricks (Truth and Ontology [2007], 4)
     A reaction: Merricks says this view is found in early Wittgenstein, as well as in David Lewis. He suggests that this is a weaker and more plausible thesis than the full commitment to truthmakers. It still allows some truths to lack truthmakers. Sounds plausible.
If truth supervenes on being, that won't explain why truth depends on being [Merricks]
     Full Idea: If 'truth supervenes on being' aims to articulate the idea that truth depends on being, it must say more than that truth supervenes on being.
     From: Trenton Merricks (Truth and Ontology [2007], 4.VI)
     A reaction: This is a perennial problem with supervenience accounts, such as the supervenience of beauty on the object, or of mind on brain.
3. Truth / B. Truthmakers / 6. Making Negative Truths
It is implausible that claims about non-existence are about existing things [Merricks]
     Full Idea: It is implausible that a claim asserting that a thing fails to exist is made true by - and so is appropriately about - some other, existing thing.
     From: Trenton Merricks (Truth and Ontology [2007], 3.V)
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Truthmaker isn't the correspondence theory, because it offers no analysis of truth [Merricks]
     Full Idea: Because Truthmaker offers no analysis of being true, Truthmaker is not the correspondence theory of truth.
     From: Trenton Merricks (Truth and Ontology [2007], 1.IV)
     A reaction: I'm not convinced that the correspondence theory offers an 'analysis' of truth. It doesn't seem to do much more than offer a word which suggests an analogy with some relation in the world.
3. Truth / B. Truthmakers / 12. Rejecting Truthmakers
Speculations about non-existent things are not about existent things, so Truthmaker is false [Merricks]
     Full Idea: That 'there might have been a dozen more fundamental particles' is true, but not appropriately about any existing entities or their properties. Since Truthmaker says that all truths are about existing entities, it must be false.
     From: Trenton Merricks (Truth and Ontology [2007], 6.VI)
     A reaction: Since I don't necessarily agree that 'there might have been a dozen more fundamental particles' (see Scientific Essentialism), and I take the disagreement to have some basis, I doubt this idea. What stops 'there could be circular squares' from being true?
I am a truthmaker for 'that a human exists', but is it about me? [Merricks]
     Full Idea: I am a truthmaker for 'that a human exists', but it is not obvious that that proposition is thus about me.
     From: Trenton Merricks (Truth and Ontology [2007], 7.I)
     A reaction: This is part of the general rather good objection that it is often unclear what a truth is 'about' (Idea 14408). The original Gettier examples about justification illustrate this problem. They make things true, in a surprising way.
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
Being true is not a relation, it is a primitive monadic property [Merricks]
     Full Idea: Being true is not a relation. …Being true is a monadic property. …Being true is a primitive property.
     From: Trenton Merricks (Truth and Ontology [2007], 8.IV)
     A reaction: Even after reading Merricks on this, I am not sure I understand it. If a single sentence floats in the void, it is hard to see how the 'monadic' property of truth could accrue to it.
If the correspondence theory is right, then necessary truths must correspond to something [Merricks]
     Full Idea: Suppose for the sake of argument that the correspondence theory is correct. Then it is analytic that each necessary truth, in virtue of being true, corresponds to something.
     From: Trenton Merricks (Truth and Ontology [2007], 2.II)
     A reaction: The sort of nice simple observation for which I admire Merricks. You don't have to give up on the correspondence theory at this point, but you will have to go through with some substantial metaphysics to keep it afloat.
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationism just says there is no property of being truth [Merricks]
     Full Idea: I take 'deflationism' to be nothing other than the claim that there is no property of being true.
     From: Trenton Merricks (Truth and Ontology [2007], 8.V)
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
If a sound conclusion comes from two errors that cancel out, the path of the argument must matter [Rumfitt]
     Full Idea: If a designated conclusion follows from the premisses, but the argument involves two howlers which cancel each other out, then the moral is that the path an argument takes from premisses to conclusion does matter to its logical evaluation.
     From: Ian Rumfitt ("Yes" and "No" [2000], II)
     A reaction: The drift of this is that our view of logic should be a little closer to the reasoning of ordinary language, and we should rely a little less on purely formal accounts.
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
Standardly 'and' and 'but' are held to have the same sense by having the same truth table [Rumfitt]
     Full Idea: If 'and' and 'but' really are alike in sense, in what might that likeness consist? Some philosophers of classical logic will reply that they share a sense by virtue of sharing a truth table.
     From: Ian Rumfitt ("Yes" and "No" [2000])
     A reaction: This is the standard view which Rumfitt sets out to challenge.
The sense of a connective comes from primitively obvious rules of inference [Rumfitt]
     Full Idea: A connective will possess the sense that it has by virtue of its competent users' finding certain rules of inference involving it to be primitively obvious.
     From: Ian Rumfitt ("Yes" and "No" [2000], III)
     A reaction: Rumfitt cites Peacocke as endorsing this view, which characterises the logical connectives by their rules of usage rather than by their pure semantic value.
7. Existence / A. Nature of Existence / 3. Being / d. Non-being
The totality state is the most plausible truthmaker for negative existential truths [Merricks]
     Full Idea: The claim that the totality state is the sole truthmaker for negative existential truths emerges as the best position for a truthmaker theorist.
     From: Trenton Merricks (Truth and Ontology [2007], 3.III)
8. Modes of Existence / B. Properties / 3. Types of Properties
Some properties seem to be primitive, but others can be analysed [Merricks]
     Full Idea: Some properties (perhaps negative charge, or the relation of identity) admit of no analysis, and so are primitive. But others are analysable, and so not primitive
     From: Trenton Merricks (Truth and Ontology [2007], 7.I)
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / c. Dispositions as conditional
An object can have a disposition when the revelant conditional is false [Merricks]
     Full Idea: It is possible for an object to have a disposition even though the relevant conditional is false.
     From: Trenton Merricks (Truth and Ontology [2007], 7.III)
     A reaction: This is the now standard observation that finks (killing the disposition) and antidotes (blocking the effect of the disposition) can intervene, as in safety mechanisms in electrical gadgets. There may be replies available here.
9. Objects / A. Existence of Objects / 4. Impossible objects
Fregeans say 'hobbits do not exist' is just 'being a hobbit' is not exemplified [Merricks]
     Full Idea: A Fregean about existence claims would say that 'that hobbits do not exist' is nothing other than the claim that 'being a hobbit' is not exemplified.
     From: Trenton Merricks (Truth and Ontology [2007], 3.II)
     A reaction: 'My passport has ceased to exist' seems to be a bit more dramatic than a relationship with a concept.
9. Objects / E. Objects over Time / 5. Temporal Parts
You believe you existed last year, but your segment doesn't, so they have different beliefs [Merricks]
     Full Idea: Your belief that you existed in the year 2000 is true; the belief of a segment of you that it then existed is false; so, by the indiscernibility of identicals, there must be two beliefs here.
     From: Trenton Merricks (Truth and Ontology [2007], 6.IV n20)
     A reaction: Merricks may be begging the question here. But in the segment view there is nothing which can truly believe it existed a year ago, so therefore nothing here has continued existence, so the segments cannot be part of a single thing.
10. Modality / B. Possibility / 9. Counterfactuals
Counterfactuals aren't about actuality, so they lack truthmakers or a supervenience base [Merricks]
     Full Idea: A counterfactual is not appropriately about the way anything is, …but about how something would be, had other things differed from how they actually are. As a result, true counterfactuals have neither truthmakers nor a superveniece base.
     From: Trenton Merricks (Truth and Ontology [2007], 7.IV)
     A reaction: Might not the truthmakers for counterfactuals reside in the dispositional facts about actuality? We assess the truth of counterfactuals in degrees, so something must determine our views.
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
If 'Fido is possibly black' depends on Fido's counterparts, then it has no actual truthmaker [Merricks]
     Full Idea: If Fido's being possibly black reduces (in Lewis's account) to the existence of black counterparts of Fido, then 'Fido is possibly black' is actually true, but it has no actually existing truthmaker.
     From: Trenton Merricks (Truth and Ontology [2007], 5.I)
     A reaction: This problem is increasingly the target of my views about dispositions and powers. Fido is not possibly a prize-winning novelist, but is possibly dead or in good health, because of the actual nature and dispositions of Fido.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
     Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible.
     From: Roger Fry (An Essay in Aesthetics [1909], p.30)
     A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well.
19. Language / F. Communication / 3. Denial
We learn 'not' along with affirmation, by learning to either affirm or deny a sentence [Rumfitt]
     Full Idea: The standard view is that affirming not-A is more complex than affirming the atomic sentence A itself, with the latter determining its sense. But we could learn 'not' directly, by learning at once how to either affirm A or reject A.
     From: Ian Rumfitt ("Yes" and "No" [2000], IV)
     A reaction: [compressed] This seems fairly anti-Fregean in spirit, because it looks at the psychology of how we learn 'not' as a way of clarifying what we mean by it, rather than just looking at its logical behaviour (and thus giving it a secondary role).
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
     Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception
     From: Roger Fry (An Essay in Aesthetics [1909], p.24)
     A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy.
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
     Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
     Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
     Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.
     From: Roger Fry (An Essay in Aesthetics [1909], p.31)
     A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
     Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated.
     From: Roger Fry (An Essay in Aesthetics [1909], p.32)
     A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher?
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
     Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people.
     From: Roger Fry (An Essay in Aesthetics [1909], p.23)
     A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs?
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
     Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
     Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
     Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious.
     From: Roger Fry (An Essay in Aesthetics [1909], p.25)
     A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
     Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful.
     From: Roger Fry (An Essay in Aesthetics [1909], p.26)
     A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection.
27. Natural Reality / D. Time / 1. Nature of Time / h. Presentism
Presentists say that things have existed and will exist, not that they are instantaneous [Merricks]
     Full Idea: Presentists deny that everything is instantaneous; they think that many objects not only exist, but also have existed and will exist.
     From: Trenton Merricks (Truth and Ontology [2007], 6.I)
     A reaction: The second half is because presentists are committed to the truth of tensed existence claims (despite a lack of any theory as to how they work). Does anyone hold a theory of Instantaneousism?
Presentist should deny there is a present time, and just say that things 'exist' [Merricks]
     Full Idea: I think presentists should deny that there is anything at all that is the present time, just as they should deny that there are past times or future times. They should say that existing at the present time is just 'existing'.
     From: Trenton Merricks (Truth and Ontology [2007], 6.I)
     A reaction: The whole context is needed to understand Merrick's interesting claim. If there is no present, when can events happen?
Maybe only presentism allows change, by now having a property, and then lacking it [Merricks]
     Full Idea: Maybe presentism alone allows for genuine change, by permitting the direct having of a property by something and then, later, the absolute lacking of that property by that same thing.
     From: Trenton Merricks (Truth and Ontology [2007], 6.IV n23)
     A reaction: Four-dimensionalism (perdurantism) is the view which is most often charged with not explaining change, and that tends to be associated with eternalism. Are there just two coherent packages of views here?
27. Natural Reality / D. Time / 2. Passage of Time / k. Temporal truths
How can a presentist explain an object's having existed? [Merricks]
     Full Idea: I am not sure what account presentists should give of an object's having existed.
     From: Trenton Merricks (Truth and Ontology [2007], 6.I)
     A reaction: Personally I am pretty puzzled by the eternalist and growing-block accounts of an object having existed, so we are all up a gum tree here. The best bet is to pull truth and existence apart, but heaven knows what that implies. See Idea 14399.