36 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
10633 | 'Some critics admire only one another' cannot be paraphrased in singular first-order [Linnebo] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
10638 | A pure logic is wholly general, purely formal, and directly known [Linnebo] |
10635 | Second-order quantification and plural quantification are different [Linnebo] |
10641 | Traditionally we eliminate plurals by quantifying over sets [Linnebo] |
10640 | Instead of complex objects like tables, plurally quantify over mereological atoms tablewise [Linnebo] |
10636 | Plural plurals are unnatural and need a first-level ontology [Linnebo] |
10639 | Plural quantification may allow a monadic second-order theory with first-order ontology [Linnebo] |
21846 | Bergson was a rallying point, because he emphasised becomings and multiplicities [Bergson, by Deleuze] |
10643 | We speak of a theory's 'ideological commitments' as well as its 'ontological commitments' [Linnebo] |
10637 | Ordinary speakers posit objects without concern for ontology [Linnebo] |
21854 | Bergson showed that memory is not after the event, but coexists with it [Bergson, by Deleuze] |
10634 | Predicates are 'distributive' or 'non-distributive'; do individuals do what the group does? [Linnebo] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |