41 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
22271 | Aristotle was the first to use schematic letters in logic [Aristotle, by Potter] |
11060 | Aristotelian syllogisms are three-part, subject-predicate, existentially committed, with laws of thought [Aristotle, by Hanna] |
18909 | Aristotelian sentences are made up by one of four 'formative' connectors [Aristotle, by Engelbretsen] |
8080 | Aristotelian identified 256 possible syllogisms, saying that 19 are valid [Aristotle, by Devlin] |
13912 | Aristotle replaced Plato's noun-verb form with unions of pairs of terms by one of four 'copulae' [Aristotle, by Engelbretsen/Sayward] |
8071 | Aristotle listed nineteen valid syllogisms (though a few of them were wrong) [Aristotle, by Devlin] |
13819 | Aristotle's said some Fs are G or some Fs are not G, forgetting that there might be no Fs [Bostock on Aristotle] |
9403 | There are three different deductions for actual terms, necessary terms and possible terms [Aristotle] |
11148 | Deduction is when we suppose one thing, and another necessarily follows [Aristotle] |
18896 | Aristotle places terms at opposite ends, joined by a quantified copula [Aristotle, by Sommers] |
3300 | Aristotle's logic is based on the subject/predicate distinction, which leads him to substances and properties [Aristotle, by Benardete,JA] |
11149 | Affirming/denying sentences are universal, particular, or indeterminate [Aristotle] |
8079 | Aristotelian logic has two quantifiers of the subject ('all' and 'some') [Aristotle, by Devlin] |
14641 | A deduction is necessary if the major (but not the minor) premise is also necessary [Aristotle] |
21513 | We can no more expect a precise definition of coherence than we can of the moral ideal [Ewing] |
21497 | If undetailed, 'coherence' is just a vague words that covers all possible arguments [Ewing] |
18911 | Linguistic terms form a hierarchy, with higher terms predicable of increasing numbers of things [Aristotle, by Engelbretsen] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |