44 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
1708 | In "Callias is just/not just/unjust", which of these are contraries? [Aristotle] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
1703 | It is necessary that either a sea-fight occurs tomorrow or it doesn't, though neither option is in itself necessary [Aristotle] |
1704 | Statements are true according to how things actually are [Aristotle] |
22272 | Aristotle's later logic had to treat 'Socrates' as 'everything that is Socrates' [Potter on Aristotle] |
9405 | Square of Opposition: not both true, or not both false; one-way implication; opposite truth-values [Aristotle] |
9728 | Modal Square 1: □P and ¬◊¬P are 'contraries' of □¬P and ¬◊P [Aristotle, by Fitting/Mendelsohn] |
9729 | Modal Square 2: ¬□¬P and ◊P are 'subcontraries' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn] |
9730 | Modal Square 3: □P and ¬◊¬P are 'contradictories' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn] |
9731 | Modal Square 4: □¬P and ¬◊P are 'contradictories' of ¬□¬P and ◊P [Aristotle, by Fitting/Mendelsohn] |
9732 | Modal Square 5: □P and ¬◊¬P are 'subalternatives' of ¬□¬P and ◊P [Aristotle, by Fitting/Mendelsohn] |
9733 | Modal Square 6: □¬P and ¬◊P are 'subalternatives' of ¬□P and ◊¬P [Aristotle, by Fitting/Mendelsohn] |
21593 | In talking of future sea-fights, Aristotle rejects bivalence [Aristotle, by Williamson] |
1701 | A prayer is a sentence which is neither true nor false [Aristotle] |
1706 | Non-existent things aren't made to exist by thought, because their non-existence is part of the thought [Aristotle] |
1707 | Maybe necessity and non-necessity are the first principles of ontology [Aristotle] |
2337 | For Aristotle meaning and reference are linked to concepts [Aristotle, by Putnam] |
13763 | Spoken sounds vary between people, but are signs of affections of soul, which are the same for all [Aristotle] |
1705 | It doesn't have to be the case that in opposed views one is true and the other false [Aristotle] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
18671 | The ground for an attitude is not a thing's 'goodness', but its concrete characteristics [Ewing] |
1702 | Things may be necessary once they occur, but not be unconditionally necessary [Aristotle] |