Combining Texts

All the ideas for 'Idealism: a critical survey', 'The Scope and Language of Science' and 'Critique of Judgement I: Aesthetic'

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18 ideas

6. Mathematics / B. Foundations for Mathematics / 6. Mathematics as Set Theory / a. Mathematics is set theory
Maths can be reduced to logic and set theory [Quine]
8. Modes of Existence / B. Properties / 1. Nature of Properties
The category of objects incorporates the old distinction of substances and their modes [Quine]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
We can no more expect a precise definition of coherence than we can of the moral ideal [Ewing]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
If undetailed, 'coherence' is just a vague words that covers all possible arguments [Ewing]
17. Mind and Body / E. Mind as Physical / 6. Conceptual Dualism
A hallucination can, like an ague, be identified with its host; the ontology is physical, the idiom mental [Quine]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]