Combining Texts

All the ideas for 'Phenomenalism', 'The Ethical Criticism of Art' and 'Supervenience'

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16 ideas

7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience: No A-difference without a B-difference [Bennett,K]
Supervenience is non-symmetric - sometimes it's symmetric, and sometimes it's one-way [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / b. Types of supervenience
Weak supervenience is in one world, strong supervenience in all possible worlds [Bennett,K]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
Aesthetics, morality and mind supervene on the physical? Modal on non-modal? General on particular? [Bennett,K]
Some entailments do not involve supervenience, as when brotherhood entails siblinghood [Bennett,K]
Reduction requires supervenience, but does supervenience suffice for reduction? [Bennett,K]
7. Existence / D. Theories of Reality / 6. Physicalism
Definitions of physicalism are compatible with a necessary God [Bennett,K]
10. Modality / A. Necessity / 6. Logical Necessity
The metaphysically and logically possible worlds are the same, so they are the same strength [Bennett,K]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Maybe literary assessment is evaluating the artist as a suitable friend [Gaut]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
'Moralism' says all aesthetic merits are moral merits [Gaut]
Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut]
If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut]
Good art does not necessarily improve people (any more than good advice does) [Gaut]