18 ideas
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| 2705 | How can intuitionists distinguish universal convictions from local cultural ones? [Hare] |
| 2712 | You can't use intuitions to decide which intuitions you should cultivate [Hare] |
| 2706 | Emotivists mistakenly think all disagreements are about facts, and so there are no moral reasons [Hare] |
| 2709 | Prescriptivism sees 'ought' statements as imperatives which are universalisable [Hare] |
| 2704 | If morality is just a natural or intuitive description, that leads to relativism [Hare] |
| 2703 | Descriptivism say ethical meaning is just truth-conditions; prescriptivism adds an evaluation [Hare] |
| 2707 | If there can be contradictory prescriptions, then reasoning must be involved [Hare] |
| 2708 | An 'ought' statement implies universal application [Hare] |
| 2711 | Prescriptivism implies a commitment, but descriptivism doesn't [Hare] |
| 2710 | Moral judgements must invoke some sort of principle [Hare] |