Combining Texts

All the ideas for 'Phenomenalism', 'works' and 'Introductions to 'Aesthetics and the Phil of Art''

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11 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
22070 Irony is consciousness of abundant chaos [Schlegel,F]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
22069 Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
2614 Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
22068 Poetry is transcendental when it connects the ideal to the real [Schlegel,F]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
2615 The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
22030 For poets free choice is supreme [Schlegel,F]
22. Metaethics / B. Value / 2. Values / g. Love
22071 True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F]
23. Ethics / F. Existentialism / 3. Angst
22029 Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard]