Combining Texts

All the ideas for 'Phenomenalism', 'The Analytic/Synthetic Distinction' and 'Aesthetics'

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15 ideas

11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer]
12. Knowledge Sources / A. A Priori Knowledge / 1. Nature of the A Priori
The traditional a priori is justified without experience; post-Quine it became unrevisable by experience [Rey]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer]
19. Language / A. Nature of Meaning / 8. Synonymy
Externalist synonymy is there being a correct link to the same external phenomena [Rey]
19. Language / E. Analyticity / 1. Analytic Propositions
Analytic judgements can't be explained by contradiction, since that is what is assumed [Rey]
'Married' does not 'contain' its symmetry, nor 'bigger than' its transitivity [Rey]
Analytic statements are undeniable (because of meaning), rather than unrevisable [Rey]
The meaning properties of a term are those which explain how the term is typically used [Rey]
An intrinsic language faculty may fix what is meaningful (as well as grammatical) [Rey]
Research throws doubts on the claimed intuitions which support analyticity [Rey]
19. Language / E. Analyticity / 4. Analytic/Synthetic Critique
If we claim direct insight to what is analytic, how do we know it is not sub-consciously empirical? [Rey]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]