24 ideas
6417 | In 1921 Russell abandoned sense-data, and the gap between sensation and object [Russell, by Grayling] |
6474 | Seeing is not in itself knowledge, but is separate from what is seen, such as a patch of colour [Russell] |
6476 | We cannot assume that the subject actually exists, so we cannot distinguish sensations from sense-data [Russell] |
2792 | It is possible the world came into existence five minutes ago, complete with false memories [Russell] |
22326 | Knowledge needs more than a sensitive response; the response must also be appropriate [Russell] |
5662 | Maybe induction could never prove the existence of something unobservable [Ayer] |
5664 | Consciousness must involve a subject, and only bodies identify subjects [Ayer] |
5668 | People own conscious states because they are causally related to the identifying body [Ayer] |
5661 | We identify experiences by their owners, so we can't define owners by their experiences [Ayer] |
20429 | Most of us are too close to our own motives to understand them [Fry] |
5665 | Memory is the best proposal as what unites bundles of experiences [Ayer] |
5666 | Not all exerience can be remembered, as this would produce an infinite regress [Ayer] |
5669 | Personal identity can't just be relations of experiences, because the body is needed to identify them [Ayer] |
6475 | In perception, the self is just a logical fiction demanded by grammar [Russell] |
20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
20431 | Art needs a mixture of order and variety in its sensations [Fry] |
20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |