Combining Texts

All the ideas for 'Phenomenalism', 'Aesthetics' and 'Naturalizing the Mind'

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16 ideas

11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
Belief is the power of metarepresentation [Dretske]
11. Knowledge Aims / A. Knowledge / 4. Belief / f. Animal beliefs
A mouse hearing a piano played does not believe it, because it lacks concepts and understanding [Dretske]
11. Knowledge Aims / C. Knowing Reality / 2. Phenomenalism
Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer]
15. Nature of Minds / A. Nature of Mind / 1. Mind / d. Location of mind
Representations are in the head, but their content is not, as stories don't exist in their books [Dretske]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / d. Purpose of consciousness
Some activities are performed better without consciousness of them [Dretske]
15. Nature of Minds / B. Features of Minds / 5. Qualia / a. Nature of qualia
Qualia are just the properties objects are represented as having [Dretske]
16. Persons / C. Self-Awareness / 1. Introspection
In a representational theory of mind, introspection is displaced perception [Dretske]
Introspection is the same as the experience one is introspecting [Dretske]
Introspection does not involve looking inwards [Dretske]
17. Mind and Body / C. Functionalism / 2. Machine Functionalism
A representational theory of the mind is an externalist theory of the mind [Dretske]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
All mental facts are representation, which consists of informational functions [Dretske]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]