Combining Texts

All the ideas for 'The Evolution of Modern Metaphysics', 'The Metaontology of Abstraction' and 'An Essay in Aesthetics'

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23 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
21959 Metaphysics is the most general attempt to make sense of things [Moore,AW]
2. Reason / F. Fallacies / 1. Fallacy
12223 It is a fallacy to explain the obscure with the even more obscure [Hale/Wright]
5. Theory of Logic / F. Referring in Logic / 1. Naming / d. Singular terms
12230 Singular terms refer if they make certain atomic statements true [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
12225 Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
12224 Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
12226 The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright]
8. Modes of Existence / B. Properties / 3. Types of Properties
12229 Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
18443 A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
21958 Appearances are nothing beyond representations, which is transcendental ideality [Moore,AW]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
12227 Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright]
12228 Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
12231 Reference needs truth as well as sense [Hale/Wright]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]