Combining Texts

All the ideas for 'The Evolution of Modern Metaphysics', 'The Intentional Fallacy' and 'Apriority as an Evaluative Notion'

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15 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Metaphysics is the most general attempt to make sense of things [Moore,AW]
2. Reason / F. Fallacies / 4. Circularity
Maybe reasonableness requires circular justifications - that is one coherentist view [Field,H]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Appearances are nothing beyond representations, which is transcendental ideality [Moore,AW]
12. Knowledge Sources / A. A Priori Knowledge / 6. A Priori from Reason
Lots of propositions are default reasonable, but the a priori ones are empirically indefeasible [Field,H]
12. Knowledge Sources / A. A Priori Knowledge / 7. A Priori from Convention
We treat basic rules as if they were indefeasible and a priori, with no interest in counter-evidence [Field,H]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / a. Reliable knowledge
Reliability only makes a rule reasonable if we place a value on the truth produced by reliable processes [Field,H]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / b. Anti-reliabilism
Believing nothing, or only logical truths, is very reliable, but we want a lot more than that [Field,H]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / a. Contextualism
People vary in their epistemological standards, and none of them is 'correct' [Field,H]
14. Science / C. Induction / 1. Induction
If we only use induction to assess induction, it is empirically indefeasible, and hence a priori [Field,H]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]