Combining Texts

All the ideas for 'Mereology', 'Critique of Judgement I: Aesthetic' and 'The Wanderer and his Shadow'

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27 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
Maybe set theory need not be well-founded [Varzi]
4. Formal Logic / G. Formal Mereology / 1. Mereology
Mereology need not be nominalist, though it is often taken to be so [Varzi]
Are there mereological atoms, and are all objects made of them? [Varzi]
There is something of which everything is part, but no null-thing which is part of everything [Varzi]
9. Objects / C. Structure of Objects / 5. Composition of an Object
'Composition is identity' says multitudes are the reality, loosely composing single things [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
Parts may or may not be attached, demarcated, arbitrary, material, extended, spatial or temporal [Varzi]
If 'part' is reflexive, then identity is a limit case of parthood [Varzi]
'Part' stands for a reflexive, antisymmetric and transitive relation [Varzi]
The parthood relation will help to define at least seven basic predicates [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Sameness of parts won't guarantee identity if their arrangement matters [Varzi]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / b. Conceivable but impossible
Conceivability may indicate possibility, but literary fantasy does not [Varzi]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
26. Natural Theory / A. Speculations on Nature / 2. Natural Purpose / b. Limited purposes
The end need not be the goal, as in the playing of a melody (and yet it must be completed) [Nietzsche]