43 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 10938 | The extremes of essentialism are that all properties are essential, or only very trivial ones [Rami] |
| 10940 | An 'individual essence' is possessed uniquely by a particular object [Rami] |
| 10939 | 'Sortal essentialism' says being a particular kind is what is essential [Rami] |
| 10934 | Unlosable properties are not the same as essential properties [Rami] |
| 10933 | Physical possibility is part of metaphysical possibility which is part of logical possibility [Rami] |
| 10932 | If it is possible 'for all I know' then it is 'epistemically possible' [Rami] |
| 4983 | There are no rules linking thought and behaviour, because endless other thoughts intervene [Davidson] |
| 3529 | Reduction is impossible because mind is holistic and brain isn't [Davidson, by Maslin] |
| 2307 | Anomalous monism says nothing at all about the relationship between mental and physical [Davidson, by Kim] |
| 5497 | Mind is outside science, because it is humanistic and partly normative [Davidson, by Lycan] |
| 4081 | Anomalous monism says causes are events, so the mental and physical are identical, without identical properties [Davidson, by Crane] |
| 2321 | If rule-following and reason are 'anomalies', does that make reductionism impossible? [Davidson, by Kim] |
| 3404 | Davidson claims that mental must be physical, to make mental causation possible [Davidson, by Kim] |
| 3405 | If mental causation is lawless, it is only possible if mental events have physical properties [Davidson, by Kim] |
| 16041 | Supervenience of the mental means physical changes mental, and mental changes physical [Davidson] |
| 6620 | Davidson sees identity as between events, not states, since they are related in causation [Davidson, by Lowe] |
| 3429 | Multiple realisability was worse news for physicalism than anomalous monism was [Davidson, by Kim] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 3524 | Causation is either between events, or between descriptions of events [Davidson, by Maslin] |
| 3526 | Whether an event is a causal explanation depends on how it is described [Davidson, by Maslin] |