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All the ideas for 'works (fragments)', 'Russell's Metaphysical Logic' and 'Art'

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35 ideas

2. Reason / A. Nature of Reason / 9. Limits of Reason
All reasoning endlessly leads to further reasoning (Mode 12) [Agrippa, by Diog. Laertius]
Proofs often presuppose the thing to be proved (Mode 15) [Agrippa, by Diog. Laertius]
Reasoning needs arbitrary faith in preliminary hypotheses (Mode 14) [Agrippa, by Diog. Laertius]
All discussion is full of uncertainty and contradiction (Mode 11) [Agrippa, by Diog. Laertius]
2. Reason / D. Definition / 8. Impredicative Definition
'Impredictative' definitions fix a class in terms of the greater class to which it belongs [Linsky,B]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / p. Axiom of Reducibility
Reducibility says any impredicative function has an appropriate predicative replacement [Linsky,B]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / c. Theory of definite descriptions
Definite descriptions theory eliminates the King of France, but not the Queen of England [Linsky,B]
5. Theory of Logic / I. Semantics of Logic / 5. Extensionalism
Extensionalism means what is true of a function is true of coextensive functions [Linsky,B]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
The task of logicism was to define by logic the concepts 'number', 'successor' and '0' [Linsky,B]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / b. Type theory
Higher types are needed to distinguished intensional phenomena which are coextensive [Linsky,B]
Types are 'ramified' when there are further differences between the type of quantifier and its range [Linsky,B]
The ramified theory subdivides each type, according to the range of the variables [Linsky,B]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Did logicism fail, when Russell added three nonlogical axioms, to save mathematics? [Linsky,B]
For those who abandon logicism, standard set theory is a rival option [Linsky,B]
8. Modes of Existence / B. Properties / 11. Properties as Sets
Construct properties as sets of objects, or say an object must be in the set to have the property [Linsky,B]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
Agrippa's Trilemma: justification is infinite, or ends arbitrarily, or is circular [Agrippa, by Williams,M]
13. Knowledge Criteria / E. Relativism / 1. Relativism
Everything is perceived in relation to another thing (Mode 13) [Agrippa, by Diog. Laertius]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]