28 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 11984 | Asserting a possible property is to say it would have had the property if that world had been actual [Plantinga] |
| 11980 | A possible world is a maximal possible state of affairs [Plantinga] |
| 11982 | If possible Socrates differs from actual Socrates, the Indiscernibility of Identicals says they are different [Plantinga] |
| 11983 | It doesn't matter that we can't identify the possible Socrates; we can't identify adults from baby photos [Plantinga] |
| 11985 | If individuals can only exist in one world, then they can never lack any of their properties [Plantinga] |
| 11986 | The counterparts of Socrates have self-identity, but only the actual Socrates has identity-with-Socrates [Plantinga] |
| 11987 | Counterpart Theory absurdly says I would be someone else if things went differently [Plantinga] |
| 8851 | Coherentists say that regress problems are assuming 'linear' justification [Williams,M] |
| 8849 | Traditional foundationalism is radically internalist [Williams,M] |
| 8853 | Basic judgements are immune from error because they have no content [Williams,M] |
| 8855 | Sensory experience may be fixed, but it can still be misdescribed [Williams,M] |
| 8852 | In the context of scepticism, externalism does not seem to be an option [Williams,M] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |