29 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 16435 | Plantinga proposes necessary existent essences as surrogates for the nonexistent things [Plantinga, by Stalnaker] |
| 14655 | The 'identity criteria' of a name are a group of essential and established facts [Plantinga] |
| 14658 | 'Being Socrates' and 'being identical with Socrates' characterise Socrates, so they are among his properties [Plantinga] |
| 14656 | Does Socrates have essential properties, plus a unique essence (or 'haecceity') which entails them? [Plantinga] |
| 14654 | Properties are 'trivially essential' if they are instantiated by every object in every possible world [Plantinga] |
| 14653 | X is essentially P if it is P in every world, or in every X-world, or in the actual world (and not ¬P elsewhere) [Plantinga] |
| 14660 | If a property is ever essential, can it only ever be an essential property? [Plantinga] |
| 14661 | Essences are instantiated, and are what entails a thing's properties and lack of properties [Plantinga] |
| 14657 | Does 'being identical with Socrates' name a property? I can think of no objections to it [Plantinga] |
| 14652 | 'De re' modality is as clear as 'de dicto' modality, because they are logically equivalent [Plantinga] |
| 14659 | We can imagine being beetles or alligators, so it is possible we might have such bodies [Plantinga] |
| 4760 | Belief aims at knowledge (rather than truth), and mere believing is a kind of botched knowing [Williamson] |
| 19512 | Don't analyse knowledge; use knowledge to analyse other concepts in epistemology [Williamson, by DeRose] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |