Combining Texts

All the ideas for 'Transworld Identity or worldbound Individuals?', 'Public Text and Common Reader' and '10: Ephesians'

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13 ideas

1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
Don't be tossed to and fro with every wind of doctrine, by cunning deceptive men [Paul]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
Asserting a possible property is to say it would have had the property if that world had been actual [Plantinga]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
A possible world is a maximal possible state of affairs [Plantinga]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
If possible Socrates differs from actual Socrates, the Indiscernibility of Identicals says they are different [Plantinga]
It doesn't matter that we can't identify the possible Socrates; we can't identify adults from baby photos [Plantinga]
If individuals can only exist in one world, then they can never lack any of their properties [Plantinga]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
The counterparts of Socrates have self-identity, but only the actual Socrates has identity-with-Socrates [Plantinga]
Counterpart Theory absurdly says I would be someone else if things went differently [Plantinga]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]