Combining Texts

All the ideas for 'German Philosophy: a very short introduction', 'Absolute Necessities' and 'Critique of Judgement I: Aesthetic'

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27 ideas

10. Modality / A. Necessity / 2. Nature of Necessity
Absolute necessity might be achievable either logically or metaphysically [Hale]
10. Modality / A. Necessity / 3. Types of Necessity
Maybe not-p is logically possible, but p is metaphysically necessary, so the latter is not absolute [Hale]
A strong necessity entails a weaker one, but not conversely; possibilities go the other way [Hale]
'Relative' necessity is just a logical consequence of some statements ('strong' if they are all true) [Hale]
10. Modality / A. Necessity / 5. Metaphysical Necessity
Metaphysical necessity says there is no possibility of falsehood [Hale]
10. Modality / A. Necessity / 6. Logical Necessity
'Broadly' logical necessities are derived (in a structure) entirely from the concepts [Hale]
Logical necessities are true in virtue of the nature of all logical concepts [Hale]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
Conceptual necessities are made true by all concepts [Hale]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Transcendental idealism aims to explain objectivity through subjectivity [Bowie]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie]
German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie]
Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]