Combining Texts

All the ideas for 'German Philosophy: a very short introduction', 'Artistic Value and Opportunistic Moralism' and 'Philosophical Naturalism'

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16 ideas

7. Existence / D. Theories of Reality / 5. Naturalism
Externalism may be the key idea in philosophical naturalism [Papineau]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Transcendental idealism aims to explain objectivity through subjectivity [Bowie]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie]
German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie]
Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie]
17. Mind and Body / A. Mind-Body Dualism / 8. Dualism of Mind Critique
How does a dualist mind represent, exist outside space, and be transparent to itself? [Papineau]
17. Mind and Body / C. Functionalism / 8. Functionalism critique
Functionalism needs causation and intentionality to explain actions [Papineau]
17. Mind and Body / D. Property Dualism / 5. Supervenience of mind
Supervenience requires all mental events to have physical effects [Papineau]
Epiphenomenalism is supervenience without physicalism [Papineau]
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
Knowing what it is like to be something only involves being (physically) that thing [Papineau]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
If a mental state is multiply realisable, why does it lead to similar behaviour? [Papineau]
19. Language / F. Communication / 4. Private Language
The Private Language argument only means people may misjudge their experiences [Papineau]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
The works we value most are in sympathy with our own moral views [John,E]
We should understand what is morally important in a story, without having to endorse it [John,E]
We value morality in art because that is what we care about - but it is a contingent fact [John,E]
A work can be morally and artistically excellent, despite rejecting moral truth [John,E]