Combining Texts

All the ideas for 'German Philosophy: a very short introduction', 'fragments/reports' and 'Introductions to 'Aesthetics and the Phil of Art''

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11 ideas

7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
12270 Being is one [Melissus, by Aristotle]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
22049 Transcendental idealism aims to explain objectivity through subjectivity [Bowie]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
22055 The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie]
22054 German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie]
22056 Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
3059 There is no real motion, only the appearance of it [Melissus, by Diog. Laertius]
27. Natural Reality / C. Space / 1. Void
5100 The void is not required for change, because a plenum can alter in quality [Aristotle on Melissus]
27. Natural Reality / E. Cosmology / 2. Eternal Universe
456 Nothing could come out of nothing [Melissus]