Combining Texts

All the ideas for 'German Philosophy: a very short introduction', 'Matters of Mind' and 'Introductions to 'Aesthetics and the Phil of Art''

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13 ideas

11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Transcendental idealism aims to explain objectivity through subjectivity [Bowie]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie]
German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie]
Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie]
15. Nature of Minds / A. Nature of Mind / 1. Mind / e. Questions about mind
Mindless bodies are zombies, bodiless minds are ghosts [Sturgeon]
Types are properties, and tokens are events. Are they split between mental and physical, or not? [Sturgeon]
15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
Intentionality isn't reducible, because of its experiential aspect [Sturgeon]
17. Mind and Body / D. Property Dualism / 1. Reductionism critique
Rule-following can't be reduced to the physical [Sturgeon]
17. Mind and Body / E. Mind as Physical / 5. Causal Argument
The main argument for physicalism is its simple account of causation [Sturgeon]
18. Thought / C. Content / 10. Causal Semantics
Do facts cause thoughts, or embody them, or what? [Sturgeon]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]