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All the ideas for '27: Book of Daniel', 'works' and 'The Philosophy of Art (2nd ed)'

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54 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Quinean metaphysics just lists the beings, which is a domain with no internal structure [Schaffer,J on Quine]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
4. Formal Logic / F. Set Theory ST / 1. Set Theory
Set theory is full of Platonist metaphysics, so Quine aimed to keep it separate from logic [Quine, by Benardete,JA]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / o. Axiom of Constructibility V = L
Quine wants V = L for a cleaner theory, despite the scepticism of most theorists [Quine, by Shapiro]
4. Formal Logic / F. Set Theory ST / 8. Critique of Set Theory
Two things can never entail three things [Quine, by Benardete,JA]
5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
If we had to name objects to make existence claims, we couldn't discuss all the real numbers [Quine]
5. Theory of Logic / G. Quantification / 1. Quantification
No sense can be made of quantification into opaque contexts [Quine, by Hale]
Finite quantification can be eliminated in favour of disjunction and conjunction [Quine, by Dummett]
5. Theory of Logic / G. Quantification / 4. Substitutional Quantification
Quine thought substitutional quantification confused use and mention, but then saw its nominalist appeal [Quine, by Marcus (Barcan)]
6. Mathematics / C. Sources of Mathematics / 10. Constructivism / b. Intuitionism
For Quine, intuitionist ontology is inadequate for classical mathematics [Quine, by Orenstein]
Intuitionists only admit numbers properly constructed, but classical maths covers all reals in a 'limit' [Quine, by Orenstein]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
A logically perfect language could express all truths, so all truths must be logically expressible [Quine, by Hossack]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / c. Commitment of predicates
Quine says we can expand predicates easily (ideology), but not names (ontology) [Quine, by Noonan]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / d. Commitment of theories
For Quine everything exists theoretically, as reference, predication and quantification [Quine, by Benardete,JA]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
Quine says the predicate of a true statement has no ontological implications [Quine, by Armstrong]
8. Modes of Existence / B. Properties / 12. Denial of Properties
Quine suggests that properties can be replaced with extensional entities like sets [Quine, by Shapiro]
Quine says that if second-order logic is to quantify over properties, that can be done in first-order predicate logic [Quine, by Benardete,JA]
Quine brought classes into semantics to get rid of properties [Quine, by McGinn]
Don't analyse 'red is a colour' as involving properties. Say 'all red things are coloured things' [Quine, by Orenstein]
8. Modes of Existence / D. Universals / 2. Need for Universals
Universals are acceptable if they are needed to make an accepted theory true [Quine, by Jacquette]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Quine is committed to sets, but is more a Class Nominalist than a Platonist [Quine, by Macdonald,C]
9. Objects / A. Existence of Objects / 4. Impossible objects
Definite descriptions can't unambiguously pick out an object which doesn't exist [Lycan on Quine]
10. Modality / B. Possibility / 1. Possibility
Quine wants identity and individuation-conditions for possibilia [Quine, by Lycan]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
For Quine the only way to know a necessity is empirically [Quine, by Dancy,J]
12. Knowledge Sources / D. Empiricism / 1. Empiricism
Quine's empiricism is based on whole theoretical systems, not on single mental events [Quine, by Orenstein]
13. Knowledge Criteria / E. Relativism / 4. Cultural relativism
To proclaim cultural relativism is to thereby rise above it [Quine, by Newton-Smith]
14. Science / B. Scientific Theories / 3. Instrumentalism
For Quine, theories are instruments used to make predictions about observations [Quine, by O'Grady]
19. Language / B. Reference / 1. Reference theories
Quine says there is no matter of fact about reference - it is 'inscrutable' [Quine, by O'Grady]
19. Language / F. Communication / 6. Interpreting Language / c. Principle of charity
The principle of charity only applies to the logical constants [Quine, by Miller,A]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
Essence gives an illusion of understanding [Quine, by Almog]
29. Religion / D. Religious Issues / 2. Immortality / a. Immortality
Resurrection developed in Judaism as a response to martyrdoms, in about 160 BCE [Anon (Dan), by Watson]