Combining Texts

All the ideas for 'The Nature of Things', 'The Sublime and the Good' and 'Conceptual truth and metaphysical necessity'

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19 ideas

4. Formal Logic / F. Set Theory ST / 7. Natural Sets
9406 A class is natural when everybody can spot further members of it [Quinton]
7. Existence / E. Categories / 5. Category Anti-Realism
15730 Extreme nominalists say all classification is arbitrary convention [Quinton]
8. Modes of Existence / B. Properties / 5. Natural Properties
15728 The naturalness of a class depends as much on the observers as on the objects [Quinton]
9407 Properties imply natural classes which can be picked out by everybody [Quinton]
8. Modes of Existence / D. Universals / 4. Uninstantiated Universals
15729 Uninstantiated properties must be defined using the instantiated ones [Quinton]
9. Objects / A. Existence of Objects / 5. Individuation / b. Individuation by properties
8520 An individual is a union of a group of qualities and a position [Quinton, by Campbell,K]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
16422 The necessity of a proposition concerns reality, not our words or concepts [Stalnaker]
16423 Conceptual possibilities are metaphysical possibilities we can conceive of [Stalnaker]
10. Modality / D. Knowledge of Modality / 3. A Posteriori Necessary
16421 Critics say there are just an a priori necessary part, and an a posteriori contingent part [Stalnaker]
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
16429 A 'centred' world is an ordered triple of world, individual and time [Stalnaker]
18. Thought / C. Content / 6. Broad Content
16428 Meanings aren't in the head, but that is because they are abstract [Stalnaker]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
16432 One view says the causal story is built into the description that is the name's content [Stalnaker]
19. Language / C. Assigning Meanings / 10. Two-Dimensional Semantics
16430 Two-D says that a posteriori is primary and contingent, and the necessity is the secondary intension [Stalnaker]
16431 In one view, the secondary intension is metasemantic, about how the thinker relates to the content [Stalnaker]
21. Aesthetics / B. Nature of Art / 1. Defining Art
22709 We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
22715 Great art proves the absurdity of art for art's sake [Murdoch]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22714 Because art is love, it improves us morally [Murdoch]
22712 Art and morals are essentially the same, and are both identical with love [Murdoch]
22. Metaethics / B. Value / 2. Values / g. Love
22713 Love is realising something other than oneself is real [Murdoch]