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All the ideas for 'fragments/reports', 'Consciousness Explained' and 'The Philosophy of Art (2nd ed)'

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50 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / a. Dispositions
We can bring dispositions into existence, as in creating an identifier [Dennett, by Mumford]
9. Objects / D. Essence of Objects / 13. Nominal Essence
Words are fixed by being attached to similarity clusters, without mention of 'essences' [Dennett]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / b. Primary/secondary
Light wavelengths entering the eye are only indirectly related to object colours [Dennett]
14. Science / C. Induction / 1. Induction
Brains are essentially anticipation machines [Dennett]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / a. Consciousness
We can't draw a clear line between conscious and unconscious [Dennett]
Perhaps the brain doesn't 'fill in' gaps in consciousness if no one is looking. [Dennett]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness
Conscious events can only be explained in terms of unconscious events [Dennett]
15. Nature of Minds / B. Features of Minds / 3. Privacy
We can know a lot of what it is like to be a bat, and nothing important is unknown [Dennett]
15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
"Qualia" can be replaced by complex dispositional brain states [Dennett]
15. Nature of Minds / B. Features of Minds / 6. Inverted Qualia
We can't assume that dispositions will remain normal when qualia have been inverted [Dennett]
15. Nature of Minds / B. Features of Minds / 7. Blindsight
In peripheral vision we see objects without their details, so blindsight is not that special [Dennett]
Blindsight subjects glean very paltry information [Dennett]
16. Persons / B. Nature of the Self / 4. Presupposition of Self
People accept blurred boundaries in many things, but insist self is All or Nothing [Dennett]
16. Persons / B. Nature of the Self / 7. Self and Body / c. Self as brain controller
The psychological self is an abstraction, not a thing in the brain [Dennett]
16. Persons / E. Rejecting the Self / 2. Self as Social Construct
Selves are not soul-pearls, but artefacts of social processes [Dennett]
16. Persons / E. Rejecting the Self / 3. Narrative Self
We tell stories about ourselves, to protect, control and define who we are [Dennett]
We spin narratives about ourselves, and the audience posits a centre of gravity for them [Dennett]
16. Persons / E. Rejecting the Self / 4. Denial of the Self
The brain is controlled by shifting coalitions, guided by good purposeful habits [Dennett]
17. Mind and Body / A. Mind-Body Dualism / 6. Epiphenomenalism
If an epiphenomenon has no physical effects, it has to be undetectable [Dennett]
17. Mind and Body / A. Mind-Body Dualism / 8. Dualism of Mind Critique
Dualism wallows in mystery, and to accept it is to give up [Dennett]
17. Mind and Body / C. Functionalism / 6. Homuncular Functionalism
All functionalism is 'homuncular', of one grain size or another [Dennett]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
Visual experience is composed of neural activity, which we find pleasing [Dennett]
It is arbitrary to say which moment of brain processing is conscious [Dennett]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
26. Natural Theory / A. Speculations on Nature / 2. Natural Purpose / b. Limited purposes
Originally there were no reasons, purposes or functions; since there were no interests, there were only causes [Dennett]
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]