39 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
10794 | The nominalist is tied by standard semantics to first-order, denying higher-order abstracta [Marcus (Barcan)] |
10786 | Anything which refers tends to be called a 'name', even if it isn't a noun [Marcus (Barcan)] |
10788 | Nominalists see proper names as a main vehicle of reference [Marcus (Barcan)] |
10799 | Nominalists should quantify existentially at first-order, and substitutionally when higher [Marcus (Barcan)] |
10790 | Quantifiers are needed to refer to infinitely many objects [Marcus (Barcan)] |
10791 | Substitutional semantics has no domain of objects, but place-markers for substitutions [Marcus (Barcan)] |
10785 | Maybe a substitutional semantics for quantification lends itself to nominalism [Marcus (Barcan)] |
10795 | Substitutional language has no ontology, and is just a way of speaking [Marcus (Barcan)] |
10798 | A true universal sentence might be substitutionally refuted, by an unnamed denumerable object [Marcus (Barcan)] |
10787 | Is being just referent of the verb 'to be'? [Marcus (Barcan)] |
10789 | Nominalists say predication is relations between individuals, or deny that it refers [Marcus (Barcan)] |
10796 | If objects are thoughts, aren't we back to psychologism? [Marcus (Barcan)] |
10797 | Substitutivity won't fix identity, because expressions may be substitutable, but not refer at all [Marcus (Barcan)] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |