Combining Texts

All the ideas for 'fragments/reports', 'German Philosophy 1760-1860' and 'Art and Its Objects'

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23 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / c. Eighteenth century philosophy
22002 Wolff's version of Leibniz dominated mid-18th C German thought [Pinkard]
22021 Romantics explored beautiful subjectivity, and the re-enchantment of nature [Pinkard]
22010 The combination of Kant and the French Revolution was an excited focus for German philosophy [Pinkard]
1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / d. Nineteenth century philosophy
22036 In Hegel's time naturalism was called 'Spinozism' [Pinkard]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / a. Idealism
22048 Idealism is the link between reason and freedom [Pinkard]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
1748 Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
27. Natural Reality / G. Biology / 3. Evolution
5989 Archelaus said life began in a primeval slime [Archelaus, by Schofield]