19 ideas
10143 | 'Creative definitions' do not presuppose the existence of the objects defined [Fine,K] |
9143 | Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert] |
10145 | Abstracts cannot be identified with sets [Fine,K] |
10136 | Points in Euclidean space are abstract objects, but not introduced by abstraction [Fine,K] |
10144 | Postulationism says avoid abstract objects by giving procedures that produce truth [Fine,K] |
9144 | Fine's 'procedural postulationism' uses creative definitions, but avoids abstract ontology [Fine,K, by Cook/Ebert] |
10141 | Many different kinds of mathematical objects can be regarded as forms of abstraction [Fine,K] |
10135 | We can abstract from concepts (e.g. to number) and from objects (e.g. to direction) [Fine,K] |
9142 | Fine considers abstraction as reconceptualization, to produce new senses by analysing given senses [Fine,K, by Cook/Ebert] |
10137 | Abstractionism can be regarded as an alternative to set theory [Fine,K] |
10138 | An object is the abstract of a concept with respect to a relation on concepts [Fine,K] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |