16 ideas
| 18415 | The actual world is just the world you are in [Lewis, by Cappelen/Dever] |
| 16392 | A content is a property, and believing it is self-ascribing that property [Lewis, by Recanati] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 18416 | Attitudes involve properties (not propositions), and belief is self-ascribing the properties [Lewis, by Solomon] |
| 16390 | Lewis's popular centred worlds approach gives an attitude an index of world, subject and time [Lewis, by Recanati] |
| 18418 | A theory of perspectival de se content gives truth conditions relative to an agent [Lewis, by Cappelen/Dever] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |