33 ideas
| 17000 | We might fix identities for small particulars, but it is utopian to hope for such things [Kripke] |
| 11868 | A different piece of wood could have been used for that table; constitution isn't identity [Wiggins on Kripke] |
| 17044 | A relation can clearly be reflexive, and identity is the smallest reflexive relation [Kripke] |
| 16999 | A vague identity may seem intransitive, and we might want to talk of 'counterparts' [Kripke] |
| 17058 | What many people consider merely physically necessary I consider completely necessary [Kripke] |
| 4970 | What is often held to be mere physical necessity is actually metaphysical necessity [Kripke] |
| 17059 | Unicorns are vague, so no actual or possible creature could count as a unicorn [Kripke] |
| 4950 | Possible worlds are useful in set theory, but can be very misleading elsewhere [Kripke] |
| 17003 | Kaplan's 'Dthat' is a useful operator for transforming a description into a rigid designation [Kripke] |
| 9221 | The best known objection to counterparts is Kripke's, that Humphrey doesn't care if his counterpart wins [Kripke, by Sider] |
| 17052 | The a priori analytic truths involving fixing of reference are contingent [Kripke] |
| 22200 | If you eliminate the impossible, the truth will remain, even if it is weird [Conan Doyle] |
| 4969 | I regard the mind-body problem as wide open, and extremely confusing [Kripke] |
| 4956 | A description may fix a reference even when it is not true of its object [Kripke] |
| 17032 | Even if Gödel didn't produce his theorems, he's still called 'Gödel' [Kripke] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |