Combining Texts

All the ideas for 'The Metaontology of Abstraction', 'The Confessions' and 'The Philosophy of Art (2nd ed)'

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35 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
2. Reason / F. Fallacies / 1. Fallacy
It is a fallacy to explain the obscure with the even more obscure [Hale/Wright]
5. Theory of Logic / F. Referring in Logic / 1. Naming / d. Singular terms
Singular terms refer if they make certain atomic statements true [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright]
8. Modes of Existence / B. Properties / 3. Types of Properties
Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright]
Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Reference needs truth as well as sense [Hale/Wright]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
24. Political Theory / D. Ideologies / 9. Communism
The nature of people is decided by the government and politics of their society [Rousseau]