Combining Texts

All the ideas for 'The Metaontology of Abstraction', 'The Intentional Fallacy' and 'Schopenhauer'

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18 ideas

2. Reason / F. Fallacies / 1. Fallacy
It is a fallacy to explain the obscure with the even more obscure [Hale/Wright]
5. Theory of Logic / F. Referring in Logic / 1. Naming / d. Singular terms
Singular terms refer if they make certain atomic statements true [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / c. Neo-logicism
Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright]
6. Mathematics / C. Sources of Mathematics / 6. Logicism / d. Logicism critique
Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright]
8. Modes of Existence / B. Properties / 3. Types of Properties
Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright]
8. Modes of Existence / B. Properties / 10. Properties as Predicates
A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
Fichte, Schelling and Hegel rejected transcendental idealism [Lewis,PB]
Fichte, Hegel and Schelling developed versions of Absolute Idealism [Lewis,PB]
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright]
Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright]
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
Reference needs truth as well as sense [Hale/Wright]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]