Combining Texts

All the ideas for 'Theory of Science (4 vols)', 'Title, Unity, Authenticity of the 'Categories'' and 'The Intentional Fallacy'

expand these ideas     |    start again     |     specify just one area for these texts


16 ideas

1. Philosophy / C. History of Philosophy / 3. Earlier European Philosophy / b. Early medieval philosophy
Earlier views of Aristotle were dominated by 'Categories' [Frede,M]
2. Reason / B. Laws of Thought / 1. Laws of Thought
The laws of thought are true, but they are not the axioms of logic [Bolzano, by George/Van Evra]
6. Mathematics / A. Nature of Mathematics / 2. Geometry
Bolzano wanted to reduce all of geometry to arithmetic [Bolzano, by Brown,JR]
6. Mathematics / C. Sources of Mathematics / 2. Intuition of Mathematics
Bolzano began the elimination of intuition, by proving something which seemed obvious [Bolzano, by Dummett]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
Philosophical proofs in mathematics establish truths, and also show their grounds [Bolzano, by Correia/Schnieder]
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
Bolzano wanted to avoid Kantian intuitions, and prove everything that could be proved [Bolzano, by Dummett]
19. Language / D. Propositions / 1. Propositions
Bolzano saw propositions as objective entities, existing independently of us [Bolzano, by Potter]
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
Propositions are abstract structures of concepts, ready for judgement or assertion [Bolzano, by Correia/Schnieder]
A 'proposition' is the sense of a linguistic expression, and can be true or false [Bolzano]
19. Language / E. Analyticity / 2. Analytic Truths
The ground of a pure conceptual truth is only in other conceptual truths [Bolzano]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]